Research On Han And Tang Dance Reconstruction From The Perspective Of Human Performance

Human art,including dance art,is tortuous under the influence of multiple factors of " self-discipline " and " heteronomy," but it has always been an important research topic that all sociologists pay close attention to.Since modern times,philosophers,aestheticians,archaeologists and dancers have stood on their own academic positions and wrote books on the historical research of ancient Chinese dance.With the deepening of academic research,scholars ’ interdisciplinary research on the reconstruction of ancient Chinese dance has become the current research trend.Throughout the reconstruction of ancient Chinese dance,it can be seen that although scholars have different styles of reconstruction methods,they have carried out reconstruction practices based on historical records and living remains,and have made useful explorations for the continuation of Chinese dance cultural traditions.This paper takes the contemporary reconstruction behavior of ancient Chinese dance as the research object,takes the practice of dance reconstruction in Han and Tang dynasties as a case,and uses the theory of " reconstruction behavior " of human performance and Laban Movement Analysis theory to study the development trend,behavior mode and intrinsic value of dance reconstruction in Han and Tang dynasties.Introduction : Analyze the concepts of ’ Han and Tang dance ’ and ’ reconstruction ’,and establish the research object based on the analysis of the research status at home and abroad.The second chapter is the development history of contemporary reconstruction :classifying and sorting out the practice of dance reconstruction from a diachronic perspective,grasping its development law and gradually forming a reconstruction paradigm of historical interpretation,picture history translation and dance spectrum deciphering.The third chapter is the historical aspect of Han and Tang dance : the performance tradition and aesthetic characteristics of Han dance and Tang dance are sorted out respectively.It provides a historical basis for using anthropological performance theory to analyze the typical cases of current Han and Tang dance reconstruction models.The fourth chapter analyzes the reconstruction of Han and Tang dance : using the typical cases of Han and Tang dance reconstruction of performance anthropology to analyze and explore the law of reconstruction.These reconstruction behaviors follow the reconstruction law of 1 → 5a → 5b or 1 → 3 → 5a → 5b,showing the juxtaposition of historicity and subjectivity,and playing an important role in cultural identity and integration.The reconstruction practice of ancient Chinese dance has constructed a ’ new tradition’,which not only provides an important idea for the construction of Chinese dance language system,but also provides an opportunity for people to identify with ’ nation-state’.Therefore,the contemporary reconstruction of ancient Chinese dance should strengthen the position of Chinese culture,take into account the academic and artistic,traditional and innovative nature of reconstruction,give full play to the function of cultural identity,and serve the great rejuvenation of Chinese culture.