Style Characteristics And Singing Treatment Of Folk Songs In Different Regions

China has a vast land area,a large number of people,composed of 56 ethnic groups.Its long history,diverse landscapes and diverse cultures breed a large number of colorful folk songs in China.As a student of national vocal music with a master of Arts professional degree,I sang a large number of folk songs from different regions during my study.Under the inspiration and guidance of my tutor,I learned that the folk songs in different regions have different styles and unique beauty,which prompted me to learn more local folk songs and study the singing styles of folk songs in different regions.During the graduate study,I study the Jiangsu,shaanxi,folk songs,Guizhou,Sichuan,Shandong folk songs,Hunan folk songs,etc.,this not only makes me sing the level of the folk songs got a certain promotion,also let me feel the charm of different regions,learned behind the folk songs of diverse national culture.This article selects the concert singing several folk songs to study,from the perspective of folk color area,through the study of three areas of folk songs singing style,summarizes the good local folk songs for their singing skills,style grasp and folk culture,and hope that through the study of theory to guide their own singing practice.The paper is divided into three parts:The first part is a simple overview of folk songs and expounds the style characteristics of folk songs in the three color areas from four aspects as the theoretical basis of the research.The second part is to analyze the style and characteristics of folk songs in different regions,and to study the dialect and intonation of folk songs,rotation and tonality of folk songs,so as to accurately grasp the style and characteristics of folk songs in different regions.The third part is the singing processing of folk songs in different regions.Through the learning of folk songs in three regions and the own singing practice,we can talk about the handling of singing folk songs,sound skills and emotion.The fourth part is my own perception of the practice and theoretical study of folk song singing in different regions,the reference of learning other folk songs,the improvement of my own comprehensive quality,and some superficial understanding of the dissemination and inheritance of folk songs.