The Comparative Study On The Inscriptions Of Huai Su’s "Da Cao Qian Zi Wen"

In the development of cursive writing,the Tang Dynasty was another peak after Wei and Jin Dynasties.As one of the representative cursive calligraphers of the Tang Dynasty,Huai Su created the "Mad Su" cursive,which is full of romanticism and individuality.Whether in terms of calligraphy techniques or calligraphy aesthetics,Huai Su’s cursive has had a profound influence on later generations.In the calligraphic environment of the Tang Dynasty,Huai Su succeeded Zhang Xu in the innovation of cursive writing.After the Song Dynasty,the calligraphic relics of Huai Su became rare,and the calligraphy of Huai Su included in the engravings became the object of study for later calligraphers.Ancient inscription is very important for calligraphy learning.Even if it is just a few lines of inscription on the tablet of ancient calligraphy,if you practice it,it will be famous for later generations.The similarities and differences of text and artistic aesthetics can be clearly seen through the comparison between different versions of the engravings.There are not many calligraphic works handed down by Huai Su.In the field of large cursive script,the most acclaimed one is "Da Cao Qian Zi Wen".Impromptu description of this post can better grasp the calligraphy skills,cursive creation also has a great help.The calligraphic style is moving and forceful,the character pattern is strange,and the typeface is flying.The research content of the the Qun Yu Tang version,the Jing Yun Zhi version,and the Lv Tian An version Huai Su’s "Da Cao Qian Zi Wen",this thesis mainly includes the following parts:In the first chapter,we explore the origin of Huai Su’s "Da Cao Qian Zi Wen",mainly combing the historical background of Huai Su’s cursive writing,the classics of the theme,and the origin and formation of Huai Su’s calligraphy.The personal factors of calligraphers have a direct influence on their calligraphy style,so the combing of Huai Su’s life and communication is of great significance to the study of Huai Su’s calligraphy.The calligraphy style is the overall fashion of the Tang Dynasty for nearly three hundred years,which also promotes the development of cursive script.Calligraphers in all dynasties have circulated works with the theme of "Qian Zi Wen",and exploring the phenomenon of calligraphy creation of "Qian Zi Wen" as the theme is helpful to fully understand the creation of the post.The study of the origin and formation of Huai Su is also beneficial to a deep understanding of the temperament and thoughts of calligraphers.In the second chapter,take the the Qun Yu Tang version,the Jing Yun Zhi version,and the Lv Tian An version Huai Su’s "Da Cao Qian Zi Wen" for example,to Huai Su’s "Da Cao Qian Zi Wen" engraved research,combined with the present research results,to explore Huai Su’s "Da Cao Qian Zi Wen" of different versions of calligraphy included post and content in order to have a more comprehensive understanding of the specific situation.In the third chapter,the text content and calligraphy elements are compared and analyzed on the the Qun Yu Tang version,the Jing Yun Zhi version,and the Lv Tian An version Huai Su’s "Da Cao Qian Zi Wen",referring to the existing Huai Su’s calligraphic relics,copy,engraving and so on,so as to further understand the differences between Huai Su’s "Da Cao Qian Zi Wen".Through comparative analysis,it is found that the Qun Yu Tang version and the Lv Tian An version have the characteristics of cursive style of Tang Dynasty.However,the Jing Yun Zhi version post has the style of Song and Ming writing in terms of writing and writing.On the whole,the writing trend is bright and lively,with the breath from the line to the cursive,and does not have the typical cursive style characteristics of the Tang Dynasty.The book is unlikely to be Huai Su,which is suspected to be the Song and Ming books.The fourth chapter explores the artistic value of Huai Su’s "Da Cao Qian Zi Wen".On the basis of the full text research,Huai Su’s calligraphy in a relatively systematic and complete research perspective.The research of different versions of engraving is carried out from the font,chapter,cloth,etc.,to explore the characteristics of calligraphy.To grasp the shape and god in cursive writing,sublimate the style analysis and understanding of Huai Su’s "Da Cao Qian Zi Wen",clarify its research value and its influence and significance in the learning and creation of contemporary calligraphy.Through the analysis and comparison of Huaisu’s "Da Cao Qian Zi Wen" in the Qun Yu Tang,the Jing Yun Zhi and the Lv Tian An version,it can be concluded that calligraphy works disseminated engraved script have been influenced by different calligraphy styles.The degree of reproduction of the original ink script varies depending on the version of the engraving.For the study and creation of calligraphy,it is necessary to pay more attention to traditional calligraphy,deeply absorb the essence of calligraphers’ calligraphy,and learning tradition from ancient times and inheriting the past and opening up the present and future.