Research On Fan Yunlin’s Calligraphy

This paper mainly takes Fan Yunlin,a calligrapher in the middle and late Ming Dynasty,as the research object.Through the combination of literature demonstration,comparative analysis,image analysis and other research methods,the main basis is Fan Yunlin’s description of the "the collection of Shu Liao Guan",and the specific analysis of his poetry,postscript,letters,correspondence,local chronicles and other literature materials and calligraphy works.This paper is mainly divided into three parts:The first part is the introduction and the first chapter.This part mainly introduces the reason for the topic selection,research content,research status and research methods of this article,conducts detailed research on Fan Yun’s life and death,family background and official career,and combs Fan Yunlin’s main calligraphic communication.The second part is the core content of this article,Chapter Two and Chapter Three.This part mainly analyzes Fan Yunlin’s calligraphic ideology and calligraphy art characteristics.It concludes the orthodox view of calligraphy,the copy view with "divine principle" as the core,and the creation view with "painting in the chest and ghosts in the wrist";Classify the collected plates of Fan Yunlin’s calligraphy works in the form of fans,naves,banners,scrolls,albums,letters and other forms,elaborate the characteristics of his calligraphy art,and arouse relevant thinking through historical documents and his calligraphy art.The third part is the fourth chapter and conclusion of this paper.This part mainly starts from the current calligraphy copying and creation,draws lessons from and puts into practice a series of ideas in Fan Yunlin’s calligraphic ideology and the artistic characteristics of his calligraphy works;It also makes a comprehensive summary of Fan Yunlin’s person,his calligraphy view and his works.