Comparative Study On The Techniques Of Yang Ning’s "Leek Flower Calligraphy" And "Lu Hong Cottage Ten Records Map Postscript"

Liang Yan,a calligrapher in the Qing Dynasty,put forward the concept of "Tang Shang Fa and Song Shang Yi" as the aesthetic standard in the calligraphy era.Ningshi Yang,as the forerunner of Shangyi style of calligraphy in the Late Tang and Five Dynasties,carried on between the Tang Dynasty and the Song Dynasty and played a crucial role in the development of the history of calligraphy.Yang Ningshi’s remarks have not been preserved in the history of calligraphy,and the surviving works are also very precious.His works have the characteristics of "one post and one appearance".Through literature review and image comparison,this paper systematically analyzes the similarities and differences between "Leek Flower Calligraphy" and "Lu Hong Cottage Ten Records Map Postscript" in terms of writing,structure and composition,and reveals the similarities and differences between the two tiet.In terms of brushwork,the two posts show completely different looks due to different subjects,but because they are the same author,there is a certain correlation between them.This paper analysis the differences of two post in brushwork,by "Er Wang technique of writing" and "Zhuan Zhou technique of writing","Internal and external expansion technique of writing";In the aspect of association,"Leek Flower Calligraphy" shape to longitudinal potential,"Lu Hong Cottage Ten Records Map Postscript" longitudinal potential flat potential doping among them.Both have left tight right loose,left large right small,axis dislocation characteristics;In the aspect of composition,"Leek Flower Calligraphy" has Xiao San Jian Yuan composition layout,"Lu Hong Cottage Ten Records Map Postscript" but shows the characteristics of dense and spontaneous.At the same time,this paper introduces the works of four modern calligraphers and their creative ideology,which enriches the breadth and width of this paper in terms of creation.In addition,through practical creation,this work deeply interprets the difficulties and doubts in copying;and clarify the process of the creation of the work,the work absorbs the“Yang Ningshi”style of the combination at the same time,exaggerates the contrast of oblique and straight,open and close,increase the ornamental of the work.