From Cottage To Coats - Lu Hong "Cottage Paradigm" Establishment And Conversion

In this paper, in the Tang Dynasty Kaiyuan before and after implicit Shilu hungpainted "Caotang painting" for the study, with the help of the concept of thephilosophy of science Thomas Kuhn in the sixties of the last century, is to clarify by LuHong, Wang Weifounded "Caotang paradigm" and its significance in the history ofpainting.First, Lu Hong in the political environment, explore the true meaning of the"really hidden" in the name of the ruling class of the Tang Dynasty. Culturalbackground, to see that Lu Hong "Hermitage" in the minds of Tang Dynasty ScholarsDangqi the ripples. Grasp Lu Hong location and the painting showing the face of theevolution of painting and then in the mid-Tang Dynasty landscape change began inthe Wu, as in the two Lee ".Second, the the Expressing Ideas as well as allies from the Spirit of Seclusion,Cottage schema, Wang Wei to discuss the "Caotang paradigm Constructionestablished.Third, Lu Hong "Caotang paradigm" discussed by the Li Gonglin "Shanzhuangpainting" and "Returning resigned map digestion and conversion. The Li Gonglin"Hills" as Li Gonglin Lu Hong, Wang two equal footing weights, with the completionof the the "Caotang paradigm" reconstruction the Li Gonglin "Villa Figure", Lu Hong"Caotang paradigm" officially entered in the Northern Song Dynasty of the decline.The author of the Northern Song Dynasty political, cultural, aesthetic orientation asthe background discussed the conversion of the " Gui qulaici painting, schema,spatial awareness and painting theme," Tao Qian paradigm established-that is, fromlandscape to portraits the conversion process is revealed...