A Comparative Study Of Marriage And Love Poems In The Tang Dynasty And Nara Period In Japan From The Perspective Of Teaching Chinese As A Foreign Language

In daily life,marriage and love are the basic life experience of everyone.The content of poetry comes from reality and reflects real life.Marriage and love are common themes of poetry.In the field of teaching classical poetry to Chinese as a foreign language,foreign learners tend to be interested in classical poetry about love and marriage.On the one hand,everyone longs for and looks forward to the beautiful love and marriage,they feel or fantasize about their own love and marriage life,but also curious about other people’s love and marriage experience,so the poetry reflecting the content of love and marriage can stimulate the desire of learners to explore;On the other hand,the theme of love and marriage is close to the daily life of learners,and the content of poems is easy to be understood by learners,and the emotions expressed by poems are also easy to be perceived by learners.In the flourishing Tang Dynasty,there were many outstanding poets writing love and marriage poems,such as Li Bai,Du Fu,Wang Changling,Cui Guofu,Meng Haoran,etc.Among them,Li Bai has the largest number of love and marriage poems,with fresh and natural language and easy to understand content,reflecting the characteristics of love and marriage culture in the prosperous Tang Dynasty.In the Nara singing circle at the same time as the Sheng Tang Dynasty,the outstanding poets,such as Otomono Tabito,Kakinomotono Hitomaro and Ootomonoyakamochi,created delicate and moving love songs.Only Ootomonoyakamochi has the largest number of love and marriage poems,which has the typical Japanese aesthetic characteristics of "Wuai" literature,reflecting the characteristics of the love and marriage culture in Nara period.This paper starts from the love and marriage poems of China’s flourishing Tang Dynasty and Nara’s Japan,mainly from the love and marriage poems of Li Bai and Ootomonoyakamochi,the representative poets of the two countries,through the analysis and comparison of their love and marriage poems,draws the conclusion of the cultural similarities and differences reflected in the two poems under different backgrounds,and applies the conclusion to the Chinese teaching in Japan.Such research can not only promote Chinese teaching to Japan,but also have reference significance for international Chinese teaching.This paper consists of five chapters: the first chapter introduces the purpose and significance of the relevant research,research status,research methods and theoretical basis,aiming to reveal the value and significance of the comparison between Li Bai and Ootomonoyakamochi’s love and marriage poems,and show the unique creative characteristics of Chinese and Japanese love and marriage poems.The second chapter summarizes the cultural background and love poets of the Shengtang and Nara periods.The third chapter firstly states the reasons for choosing the marriage poems of Li Bai and Ootomonoyakamochi.Secondly,it analyzes and compares the similarities and differences between Li Bai and Ootomonoyakamochi’s love and marriage poems in terms of content.The similarities are that they have a common theme of poetry,and both reflect the advanced thoughts of liberating human nature and feeling the impermanence of life in terms of content.The differences lie in the ideological and emotional tendency and emotional tone.At last,the author makes a comparative study of the artistic features of Li Bai’s and Ootomonoyakamochi’s poetry.Both of them are sad and pathetic in their creation style,vivid in their expression techniques,reasonable imagination and clever use of allusions.However,from the perspective of language features,Li Bai’s poems are colorful and pay attention to carving,and the main poetic language is simple and straightforward.In the use of the image of love and marriage,they are also very different;From the expression of emotion,Ootomonoyakamochi is more straightforward than Li Bai.The fourth chapter compares the marriage system,marriage concept and marriage custom culture.In the marriage system,Sheng Tang and Nara "the same surname marriage" system is different,"seven out","three not to go" marriage provisions are the same;In the concept of love and marriage,the Sheng Tang Dynasty and Nara "elegant" aesthetic view,marriage view is different,the view of nature is the same;In terms of marriage customs culture,due to the different social forms of China and Japan,there are differences in marriage customs and marriage forms between China and Japan.The fifth chapter aims at the conclusion of the comparison of marriage poems between Li Bai and Ootomonoyakamochi,and discusses the enlightenment from the aspects of suggestions for Chinese teachers and the specific application of poetry comparison in teaching Chinese as a foreign language.