The "Reappearance" And "Expression" Of Director’s Creation Under The Perspective Of Integrating Drama

Red Flame is an original drama that carries forward revolutionary culture.It comes into being under the background of upholding the fundamental system of Marxism’s guiding position in the field of ideology,taking socialist core values as the guide,developing advanced socialist culture and carrying forward revolutionary culture.Drama "Red Flame" tells the story of our Party during the liberation War two young underground workers Lu Ming(code name Red Flame)and Wu Manfen(code name wind)meet,secret joint,establish a new liaison station,complete the organization of "anti-espionage action" task story.The director and creation of the drama Red Flame is completed under the guidance of the concept of integrated drama concept,which means that drama creators in the new era no longer simply pursue a single concept of drama creation,but incorporate different drama concepts and aesthetic principles of drama performance,thus forming a new drama concept.Of course,the integrated drama concept is not only the integration of simple drama concepts,but also a new aesthetic interpretation and theoretical development in the new era environment.Therefore,it has certain value and significance to explore the director’s creation under the integrated drama concept.This paper is divided into three chapters:The first chapter focuses on the aesthetic interpretation of the integrated drama view.The concept of integrated drama is the result of the mutual influence and infiltration of different drama concepts and schools.It is a drama concept formed under the respect for the aesthetic pursuit of drama art,following the law of drama creation and giving full play to the director’s personal aesthetic style.Under the integration of drama view,the director’s creative techniques are characterized by diversification and modernization.This chapter will elaborate on the director’s means of "representation" and "expression" of his works.The second chapter summarizes the creation of the original drama Red Flame.Centering on three parts of theme implication,director creativity and character design,the drama Red Flame takes the young characters during the Liberation War as the entry point and focuses on depicting the image of young Communist Party members who put life and death behind for the victory of revolution.The drama depicts the panorama of young people who join the revolution and conveys the theme that young people are desperate and firm in their ideals and beliefs for the revolution.Write the spirit of patriotism,carry forward the feelings of home and country.In the drama Red Flame,the director’s second creation is carried out under the theoretical guidance of integrating drama view,aiming to help the work more effectively convey the theme connotation,construct the national heroic spirit in the new era,and realize the organic combination of ideology and artistry through diversified director creation techniques.The third chapter elaborates the creative path of the director of the drama Red Flame under the integration of drama view.This chapter will explore how to use a variety of director’s words in a comprehensive way to combine "representation" and "expression",so that the audience can not only get emotional resonance and rational thinking,but also feel the drama and appeal of the works.The exposition will start from four parts: the re-adaptation of the play,the expansion and extension of the stage space,the revelation of the actors’ creation method and the new construction of the relationship between the audience and the performance.