| The Kang Wei paintings in the central and western regions of Inner Mongolia have been inherited and continued through Shanxi,Gansu and other places to become cultural and artistic with ethnic regional characteristics.It integrates a variety of art forms with aesthetic tastes,which not only retains the edifying function of loving nature and respecting etiquette in various regions,but also embraces the cultural customs of nomads.It interprets different regional cultures in a form that is popular with the people,and has both aesthetic and practical functions.However,due to the constraints of social thought and the innovation of the times,the Kang Wei painting is detached from the needs of reality,but its authentic spirit and timeless symbols of the times still exist.For the purpose of protecting intangible cultural heritage,this paper conducts a field investigation on the existing situation of Kang Wei paintings in central and western Inner Mongolia,condenses the demand for the continuous development of Kang Wei paintings,applies digital communication to the inheritance of folk art,and constructs a design system with the dissemination of folk art as the core,publicizing Kang Wei painting in Inner Mongolia,and enhancing the attention of folk art.Finally,the Kang Wei painting in the central and western part of Inner Mongolia is taken as the specific design object,and the field collection,logical architecture and visual transformation are closely followed by the design concept,and the artistic charm of the Kang Wei painting in the central and western region of Inner Mongolia is displayed by digital interpretation,so that digital communication can better serve the development of folk art. |
