The Interpretation Of The Second Creation Of Erdos Folks Songs

This paper takes three Erdos short folk songs "Erdos Mongolian","Mountain Top" and "Lama on the Margin" as the object of study,and discusses their secondary creation and stage practice with the analysis of the works,aiming to explore the linkage between Erdos folk songs and the stage of secondary creation.Firstly,the study takes a macroscopic view of Ordos folk songs,starting from a brief description of Ordos folk songs and the flow of specialization of Ordos folk songs,and discusses the basic theory of second creation in Ordos folk songs and vocal singing in the process of specialization.Secondly,three works of Ordos short folk songs with different themes are taken as examples,and their artistry and music are interpreted and analyzed,so as to explore the artistic characteristics of three Ordos short folk songs.At last,the thesis will be closely focused on the main theme of the thesis,and from the singing method to the style,we will discuss the stage of Erdos folk songs and the flow and derivation of urbanization of folk songs,not only absorbing the experience of the predecessors,but also combining with the actual situation of our own performance,discussing the singing and stage performance of the three Erdos folk songs from the singing form,performance style,costume selection,band configuration and formation arrangement.We will discuss the design of the three Erdos folk songs and the stage performance,and present the three Erdos folk songs on the stage of the university to pay tribute to the classics.