Singing Interpretation Of Hu Songhua’s Adaptation Of "Senjidema"

Inner Mongolia grassland enjoys the reputation of "dancing township and singing sea".Among them,the folk songs of Erdos short tunes are rich and colorful,like heavenly music,fully reflecting the breadth and freedom of the grassland.In recent years,with the development of music culture and art,many songwriters have extracted materials from traditional songs and adapted and created them.Not only do they inherit the basic musical elements and emotional connotations of the original folk songs,but they also create new melodies and song structures to suit contemporary musical aesthetics,thus becoming more modern and enduring.In this paper,we explore and analyze the background of the composition of "Senjidema",the ontological analysis of the musical structure,the melodic line and piano accompaniment weaving,and the main interpretation of the singing.The analysis of the musical characteristics and singing techniques will be of great help in understanding the musical style of the work and in improving the singing skills.It can provide a more comprehensive understanding and deeper grasp of the work,enrich the performance expression,and provide a basis for the singer’s emotional expression and technical handling of the work,as well as lay the foundation for the subsequent concert performance of the work.