Music Style And Performance Analysis Of Piano Solo “Double Painting”

In today’s era of diversity and rapid development,music knows no borders.While China’s indigenous music is spreading,it also needs to absorb the good music of other countries and take the best from it to discard the worst.In Europe and Japan,gameran music has long been one of the important fields of ethnomusicology,and there is little research on Indonesian music in China.This paper focuses on Liu Peng’s piano solo work “Double painting”,which introduces the creative characteristics of the two chapters in detail: the flutter of the butterfly and the movement of the Lizard,this paper analyzes the music noumenon and style of the double painting from four aspects of music structure,music atmosphere,sound level and color change,and combined with my practical experience in performing the works,systematic analysis and research on the performance skills and the unique music style of Carmeline,it also explains the application methods of key-touching,syncopation,chromatic scale running,complex rhythm,pedal,homophonic repetition and toccata-style hand alternation,and reveals the music artistic characteristics of the work,in order to deeply understand the performance skills,cultural connotation and artistic value of the“Double painting”,a paradigm framework is provided.