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Introduction Of Chinese Piano Solo Music Creation Research

Posted on:2020-08-28Degree:MasterType:Thesis
Country:ChinaCandidate:W LiFull Text:PDF
GTID:2405330575975541Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
Introductory music,as a creative phenomenon,is widely used in literature,opera,dance,music and other art forms or genres.It may seem insignificant,but in fact,it means a lot.In the field of music art,from the perspective of traditional musical form,the introductory music belongs to the subsidiary part of the structure of musical form,which can be long or short,has independent significance,and has a special way of expression in music language.However,it is often left out that how the introductory music matters.Since the 20 th century,the creation of Chinese piano music has become more and more colorful,with a wide variety of genres.The research on the creation of Chinese piano music has also acquired relatively rich achievements,and in some respects,it has also formed a relatively complete system.However,at present,there is few scholar analyzing and studying the creation of introductory music of Chinese piano music at home and abroad.This paper takes the introduction of Chinese piano solo as the entry point and the representative piano solo with additional introduction as the research object.The research is discussed from the following parts: the first chapter is an overview,starting from the interpretation of the introduction,and discusses the introduction of western piano solo,which lays a foundation for the interpretation of the introduction of Chinese piano solo;In the second chapter,from all aspects of music language,the connection between the introduction material and the overall structure and its subsidiary structure,and the influence of the appearance of the introduction on the overall structure of music are systematically analyzed.In the third chapter,the national elements and aesthetic connotation of Chinese piano solo prelude are summarized theoretically.Through this study,the author tries to objectively present the cultural connotation and value of the object of study,and at the same time,hopes to provide some reference and methods for the future study of Chinese Piano Music.
Keywords/Search Tags:Chinese piano solo, Introductory music, Ontology analysis, National elements, Aesthtic implication
PDF Full Text Request
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