Research On The Theme Creation Practice Of Chinese Painting On Flood Fighting And Rescue

The theme of flood fighting is one of the newly formed art themes in the development of modern Chinese art.It is not only the natural evolution of the traditional painting of disaster relief by painting and calligraphy since ancient times,but also the result of China’s active learning from the Soviet Union and other socialist countries after contact with the West to express major historical themes.In this paper,the focus of the Research on the Practice of Chinese Painting on the Theme of Flood Fighting and Rescue is to refine and summarize the theoretical basis of the creation of meticulous figure painting on flood fighting and rescue through the breakthrough of "flood fighting" theme painting and the expansion of the creation form language.Combined with the professional knowledge learned by the author,Chinese painting theme creation.This article will be discussed from the following aspects.The first part is the introduction,which expounds the research background and significance,research scope and purpose,research methods and approaches of this paper.The second part summarizes the concept and practical significance of thematic painting.The third part mainly focuses on the understanding of the thematic concept and appreciation of the excellent flood fighting works of contemporary painters,and analyzes and studies the flood fighting works of Chen Mengxin,Yuan Wu and He Xiaoling.The fourth part is the collection of materials for the creation of works.After summarizing the relevant contents of flood fighting theme paintings,it applies them to the creation of the author’s Chinese painting.From the aspects of picture composition and management,brush and ink language,color texture and expression form,it expounds the practice process of painting creation.The fifth part summarizes the harvest and perception of the creation practice,and discusses the spirit of The Times and significance of the theme painting.