Painting Language Revisited

David Hockney in the hidden knowledge, rediscover the lost art of western painting masters "in have so a words:" I like most artists, then look at a painting when care about how it is drawn, as what it is and why." From this sentence we can perceive art skills is very important in the artistic creation, in artistic expression skills, brushwork and texture in painting art, special aesthetic taste of acted as a very important tool and means.Brush strokes and texture is "how to draw", "why" behind is a very important art information, we need to do is find hidden secrets behind in this art form. Classical brushwork is exquisite, massiness, impressionism's wild and enthusiasm, their performance in the form is different, but are faithful to his art philosophy. Brush strokes and texture of this art form of performance art presentation following the law on the one hand, at the same time, subject to the painter's subjective emotion and aesthetic taste, whether it is a flat coating or cut, all in the service of the artist's feelings.Real texture should be the painter heart feeling expression, the painter in the painting brush with paint thickness in the process of comparison, the weight of the mixture of shade change, put pen to paper strength, at the same time, through the calligraphy fast rhythm and halftone artistically feeling, reflects the simple sense of objects, the amount of volume and light feeling, false or true. Gombrich mentioned in western art history in the history of art in the development of peace have a line with two kinds of forms. Both, coated or line represents a kind of art form, in terms of performance means, brushwork and texture actually is just, line and plane in different direction and form the calligraphy, create a different skin texture form, embodies the different artistic style, highlight the different art and artists to treat the world and the subjective attitude of life. So expressive and form has been in the process of the development of art history consciously strengthen.Any brush strokes and texture to blend in processing emotions, all need to come out naturally, rather than a mechanical like arts and crafts of ping tu. Chinese painting and calligraphy art exquisite pen and ink interest, pay attention to black and white, thick and thin, and the contrast of raw and cooked, made in this way the calligraphy malapropism, landscape experiment, actually is to brush strokes and texture, in today's integration of Chinese and western art, painting in the paint brush can also absorb Yi XiangXing aesthetic feeling in Chinese painting, based on the aesthetic of the oil painting art, is a national art.