The Dislocation Of Tradition And Modern Civilization:a Study On The Pluralistic Development Of Feng Mantian Ruan Music Art

“Ruan” as our important national tradition to pick musical instrument,has deep historical connotation.With the displacement of time and space between the inertia of traditional culture and modern civilization.The diversified transformation of traditional courtyard music in modern civilization is accomplished in the fierce conflict of the dislocation of time and space between tradition and modernity.The diversified reform and innovation practice of modern courtyard music performer Feng Mantian proves that the traditional cultural must realize the cross-cultural collision and cross-time integration in order to survive and develop in the modern civilization.This is not only the way for the survival and development of traditional courtyard music,but also the only way for all traditional cultures to survive and develop in the dislocation of modern civilization.The traditional courtyard music art will face the severe test of the times.This paper takes the pluralistic development of the courtyard music art of the modern courtyard music performer Feng Mantian as the research object,from the unity of opposition between traditional and modern civilization,in the framework of”space-time mismatch”,to grasp the running track and development trend of Feng Mantian’s pluralistic reform,so as to figure out the humanistic feelings,theoretical foundation and important pluralistic significance of Feng Mantian’s pluralistic Ruan music art.This paper is divided into four parts.The first part combs the historical evolution of Chinese traditional national musical instruments and summarizes the triple identity of modern courtyard music arts Feng Mantian as the inheritor,disseminator and reformer of traditional courtyard music art.The second part combines the time-space view of ethnomusicology methodology to put forward the “three-dimensional principle”of the diversification and variation of traditional art in modern civilization,and further clarifies the operating rules of the diversification and variation of traditional art in modern civilization from the theoretical point of view.In the third part,through the description and analysis of the music noumenon level from the three aspects of performance from,music creation and instrument shape the diversification reflected in Feng Mantian Ruan music innovation practice and its application to the traditional art of“three-dimensional principle” are specifically explained.The fourth part expounds the social and cultural value contained in Feng Mantian Ruan Le art’s pluralistic reform practice.This paper studies the phenomenon of Ruan’s pluralistic development in modern time,and makes an in-depth thinking on the survival situation,reform mode and future trend of academy music art from the theoretical level.It is hoped that more people can understand the development trend of academy music art,feel the unique charm of academy music art in the collision and integration of multi-cultures,and promote the inheritance and development of excellent traditional Chinese culture in the new era.