The Poetic Isomorphism Of Tradition And Modernity

In the long historical development process,zheng music art is deeply rooted in Chinese excellent traditional culture,reflecting the music characteristics of different regions and periods.With the development of modern guzheng performance techniques and the increasing integration of Chinese and western music culture and art,through the continuous exploration and innovation of composers and performers,zheng music works are constantly promoted and diversified.Traditional culture,traditional style and traditional aesthetics are more and more widely used in modern Zheng music.Ding Feng Bo,a Zheng and piano work created by Deng Yiqun,a young zither player,is one of such works that integrates traditional elements and modern creative techniques.The composer deeply interprets the traditional classical poetry and continues the more traditional music style and aesthetics.While setting off the traditional elements,he uses modern composition techniques and performance techniques to create a modern Zheng music work Ding Feng Bo.Through the research and analysis of the music noumenon,performance techniques and emotional expression of dingfengbo,this paper will deeply excavate the poetic image and aesthetic implication contained in the music,bring more thinking and theoretical basis for the performance research of modern Zheng music works.