Research On The Formation,Interaction And Inheritance Of Japanese "Mono-ha" Artist Group

Predecessors have sociological and historical research on the art of "Mono-ha" and "Post-Mono-ha" in Japan,but there are few researches on the formation,interaction and inheritance of its artists.At the same time,it is less than the research and demonstration of the artistic value of the above relationship.This article attempts to explore the Japanese "Mono-ha" and "Post-Mono-ha" artist groups,and initially analyzes the formation and development of the two groups.Japan’s "Mono-ha" art is a new vocabulary that appeared in Japan in the 1960 s after World War II.It also represents the emergence of a brand-new artistic phenomenon and artistic concept.It also had a significant impact on Japanese modern art at that time and became A remarkable turning point in the history of modern Japanese art.However,the group of artists who participated in it did not agree with their movement at this stage,which was called "Mono-ha" by the outside world,and even the members of "Mono-ha" did not have a unified concept,which led the artists to think that their group or It is the scale that cannot be defined as a genre,but the influence of "Mono-ha" art on Japanese art at that time was much greater than its scale,thus creating the phenomenon of "Post-Mono-ha" in the 1980 s.There are not many domestic research topics on the art phenomenon of "Mono-ha" and "Post-Mono-ha" in Japan,and the existing foreign research works mainly focus on the introduction of art cases.The introduction and analysis of the development of artistic language in China.There are very few domestic reference information and translations of historical books,and there is no comprehensive and objective analysis of the art phenomenon during the "Post-Mono-ha" period and the interaction and inheritance relationship with the former "Mono-ha".The above topics in domestic art books and articles almost lack a more comprehensive and in-depth understanding and understanding,and even misunderstandings and misreadings have occurred.Therefore,it is of great significance to study the artistic phenomenon and art group of "Mono-ha" under the historical conditions of the late 1960 s after World War II in Japan.Through the research and comparison of "Mono-ha" and "Post-Mono-ha",not only can discover the network relationship between oriental art spanning two periods,but also can deepen the connection between artistic concepts and different social and cultural contexts between oriental arts.The reason why this research topic has such key academic significance and value is that through the research and analysis of the art of "Mono-ha" and "Post-Mono-ha" in Japan,it is found that there is an interactive inheritance between the artistic phenomena of the two periods.The relationship,and the comparative study of the similarities and differences between them,how the gathering activities of artists with different creative concepts are related to the social and cultural context,reflects the different trends and cultural situations among post-war art phenomena.