A Study Of The Shape Likeness And Deformation Of City Custom Painting In Chinese Painting

The aesthetics and shape of Chinese painting are gestated in the background of Chinese culture,which is a painting form with typical Chinese philosophical spirit.the pursuit of a kind of true,good and beautiful,that beauty is the good of desire.Traditional Chinese painting reflects the flow of life through lines and textured dots,emphasizing the tendency in painting and the tendency in calligraphy.The genre painting was formed earlier in China,and it is a painting subject closely related to the daily life of the common people,and form a rich painting techniques.Form the traditional agricultural society with the industrial civilization to the modern civilization of society.Chinese painting theme change is also the inevitable trend of social development.Urbanization is historical process,and the city custom painting develops with the appearance of the city concept.In the past,the city custom painting was more similar to the traditional Chinese painting,which was rejected by the literati.The works can be traced back to the ancient boundary painting,which declined gradually after reaching its peak in the Song dynasty.Chinese painting is the way of writing and layout that reaches the height of ‘Metaphysics’ from ‘Form’ itself through the beauty of‘Metaphysics’,the works around the social theme have emerged as new styles of city custom paintings,reflecting their own state of life and meeting the needs of the new era of aesthetic culture of the masses,nowadays,the genre painting of the city begins to show the social value from its special angle.