Dong Qichangxing’s Research On The Origin Of Cursive Writing And Creative Concepts

When the history of calligraphy advanced to the late Ming Dynasty,the calligraphy style which had dominated the development of calligraphy for a thousand years had already lost the style of Wei and Jin Dynasties of the Right Army,the Dailing Army,and the atmosphere of the prosperous Tang Dynasty in Huaisu and Beihai.Since the rise of Wumen in the Ming Dynasty,the shackles of Yuan style and elegant ancient style have been broken through.In the late Ming Dynasty,when Wumen gradually fell,Dong Qichang wanted to hold the banner of calligraphy in the name of "Huating".At that time,coincided with the liberation of personality thought,his line of cursive learning hundreds of times,learn from others,into a furnace,remarkable achievements.Sibai in the slightly dim late Ming Dynasty on the way to study,if the credit is Taibai,the dawn of the early Qing Dynasty,Cankang Yongqian III.By using literature as a starting point and using literature analysis,it is concluded that Dong Qichang began with the "Two Kings" as his ancestor,supplemented by the styles of Li Beihai,Yan Zhenqing,and Yang Ning,to explore the true source of the Jin method.With Dong Qichang’s writing as evidence,the use of image analysis method to compare the object of his teaching,we can know that in the early stage of Yan Zhenqing,Mi Fu,Su Shi and other calligraphers of the faithful copy,lay a solid foundation for his calligraphy skills.After beginning to take shape,they put a little attention to "creative copying",not similar in shape,but in spirit.At the same time,the influence of Zen thought on Dong Qichang’s calligraphy style is also great.In the practice of his life,he put the ideas and techniques into his own use,proposed the beauty of "plain",and transformed the methods of various families into an unrestrained and naive style,thus creating the consistent use of the brush and the careless composition.In chronological order,the creative works of Dong Qichang’s chronology cursive script are organized,and the style,year of the work,creation time,ruler size,and storage location of the works are marked one by one,making the changes in Dong Qichang’s cursive script creative style clear at a glance.First of all,the style of its creation is divided into three categories according to the size of the font: one is Pingzheng Yun Yi;Second,Xiao scattered sparse light,strong contrast;Three is wanton flying,vigorous ups and downs.Secondly,according to the classification,five representative works are selected for analysis.At the same time,it is related to the demonstration of Dong Qichang’s concept of learning books in the first chapter,so as to sort out the style orientation of Dong Qichang’s cursive writing.The practical creation section applies the conclusions drawn from the first two chapters to one’s own copying and creation.First of all,copy the family,feel the Wei and Jin style of writing,at the same time to Dong Qichang’s survival of a lot of preliminary study.Secondly,he learned from Dong Qichang’s method of learning books,gradually transitioning from copying to creation.He always adhered to the idea of "learning from the ancients,fixing the space frame and seeking changes",and created works of various shapes and forms.Finally,the author will summarize the thoughts and feelings in the creation process in order to truly combine theory with practice in the future study book.