The Research On The Creation Of Desktop Films From The Perspective Of Media Convergence

Film art,as a kind of modern media form with strong visual features,cannot be produced and developed without the research and exploration of media technology.At present,film art has entered a new era of media integration.With the change of media environment and the innovation of new technology,various new forms of film have been born,such as interactive film,VR film,DV film and so on.Desktop film,which uses digital desktop as the carrier for cross-media narration,has become the best example of the integration of film and digital media.This paper traces the origin of the birth of desktop films,analysis of the desktop film is different from general audio-visual language and creative features,which are different from general films,and includes them in the current media fusion environment.First of all,the author combs the development of desktop films.With the birth of film,it has become a film type from film and videotape to digital computer era,including desktop feature film and desktop documentary.Secondly,the author analyzes the characteristics of desktop films from the perspective of media convergence.Desktop film represents the industrial integration of computer and film.It takes desktop as canvas and computer as shooting equipment to conduct mixed audio-visual experiments in digital environment completely.The desktop film contains the technology integration of digital virtual and real shooting,which is realized through the combination of screen recording,computer virtual picture synthesis and real shooting and shooting.Desktop film condenses the thought integration of database and montage.Through the organization and management ability of database,as well as the creation and editing ability of montage,it realizes the efficient use of materials and the free play of creativity.Desktop films influence niche and participatory cultural integration by lowering the creative threshold,promoting democratic creation and dissemination,encouraging participatory creation and interaction,and providing a platform to promote niche culture.Thirdly,based on the creation practice of desktop film in the graduation project Under the Screen,the author concludes that the creation of desktop film contains multi-modal cross-media narration,which brings the creator a broader creation space and audience experience,and makes the story richer and more interactive.Through the integration of different media forms and technological means to create a new narrative experience for audiences;The interactive narration of display and scheduling is the way of audience’s experience and understanding of images in the digital age.It pays attention to the audience’s interactive,game-like and immersive experience and breaks the inherent structure of timeline art.Closed and open space storytelling,using virtual space in the way of screen recording,apps and online material to show the story.The virtual space becomes the main narrative environment of the story,communicating the plot,developing the characters,and presenting the story through on-screen activities and elements.Through the rise of desktop film,the author tries to understand the new changes of film in the development process of media convergence,reflects on the creation practice,and looks forward to the future development of desktop film in the era of media convergence.The creation of desktop movies brings new thoughts and challenges to filmmakers,and at the same time provides audiences with a new viewing experience.Its appearance expands the boundaries of film creation and injects new vitality into the film industry.