A Study On The Poetry Of The Quanzhou County In The Ming Dynasty

Since the Ming Dynasty,the poetry creation related to Guangxi has been greatly developed.Among them,the poetry creation of chanting Quanzhou is eye-catching.Quanzhou,located in the northeast of Guilin,is an important town in the Xianggui corridor and a necessary place for communication between Lingnan and the Central Plains.Poets mostly take the way from the whole state,and under their strong cultural atmosphere,they put great interest and creative enthusiasm into the landscape and character stories of the whole state,forming a regional writing with great local flavor.This paper takes the the poetry of the Quanzhou county in the Ming Dynasty as the research object,by combing the development track of the the poetry of the Quanzhou county in the Ming Dynasty,discussing the reasons for its prosperity in the Ming Dynasty,analyzing and summarizing its creative subject,exploring its subject content and artistic characteristics,to outline the overall appearance of the poems in the Ming Dynasty,and to explore the regional cultural genes contained in the poems as much as possible to explore its connotation.Specifically,it can be divided into the following four chapters.The first chapter studies the prosperity of the poetry of the Quanzhou county in Ming Dynasty and its reasons.Firstly,it has mastered the development process and basic characteristics of the poetry of the Quanzhou county in different historical periods before Ming Dynasty.Secondly,it describes the general situation of the prosperity of the poetry of the Quanzhou county in Ming Dynasty and discusses its prosperity factors.Internally,the development of education in the prefecture was the main reason for the prosperity of poetry.The unprecedented increase in the number of scholars and scholars in the Ming Dynasty and the establishment of academies provided sufficient talent reserve for the creation of poetry in the prefecture.And the generation of Japanese scholars in Ming dynasty actively intone a state,a local poets,represented by Jiang Mian Chiang Bian native poet writing,for the state will no doubt make of a state of poetry in Ming dynasty more colorful.The convenient transportation of Quanzhou,which is the throat of Xiang-Gui Corridor,also provided the conditions for poetry creation.From the outside,the positive influence of the creation of foreign poets promoted the development of the poetry of the Quanzhou county in the Ming Dynasty,while various positive cultural measures carried out by local officials during their tenure in Quanzhou cultivated many outstanding talents for the prefecture.The prosperity of poetry in the Ming Dynasty was the result of internal and external interaction.The second chapter studies the creative subject of the poetry of the Quanzhou county in the Ming Dynasty.In this chapter,the creative subjects of the poetry of the Quanzhou county in the Ming Dynasty are divided into two categories: native poets and foreign poets.Native poets achieved a zero breakthrough in the Ming Dynasty,and a total of seven poets wrote poetry related to their native land.Growing up in the mountains and rivers customs of the whole state,it has the opportunity to be associated with the whole state for a long time,likes to write its native land with cordial and natural strokes,pays special attention to the regional culture of the whole state,and pursues the sages and traces the history with places of interest.The poetry of native poets represented by Jiang Mian reflect the pioneering significance of the creative group of native poets.Foreign poets are the main force in the creation of the poetry of the Quanzhou county,and foreign imaginary poets and foreign poets are the two major forces that constitute their creative groups.the number of both has been greatly increased in the Ming Dynasty,jointly strengthening the ranks of foreign poets.And its eyes are more inclined to the landscape of the whole state,less negative description and more positive singing,and the whole state is a scenic spot of strange mountains and rivers in its eyes.The foreign poets represented by Gu Lin embody the highest level of the poetry about Quanzhou in the Ming Dynasty,with complete genres,rich and comprehensive themes and diverse styles.The third chapter studies the theme,content and artistic features of the poetry of the Quanzhou county in the Ming Dynasty.This chapter divides the theme content of the poetry of Quanzhou county in the Ming Dynasty into three categories.The first is the poetry of the natural environment.All the poetry that depict the landscape,caves,climate,meteorology,plants,animals and other natural resources of the state belong to the poetry of the natural environment.The magnificence of the mountain,the beauty of the water and the uniqueness of climate and phenology are the three main aspects of its description.The second is the poetry of humanistic environment,the humanistic landscape all over the territory is its main description object,and the unique customs and life pictures of the people of the whole state also expand the poet’s writing theme.The finally is the poetry of farewell,in which the poet writes farewell feelings,encourages friends to do meritorious deeds,or praises achievements and wishes.The first two show the style of the whole state sporadically,while the latter has a deeper regional gene because it can see the overall morality of the scholars of the whole state in the Ming Dynasty.In addition,this chapter also discusses the artistic features of the poetry of Quanzhou county in the Ming Dynasty,and thinks that it has the characteristics of simple and natural language,suitable and familiar allusions and light style.The fourth chapter studies the regional culture in the poetry of Quanzhou county in the Ming Dynasty.The first is Xiangshan Temple culture.Through the participation and dissemination of the broad masses of believers,Xiangshan Temple has integrated into the strong life consciousness of the group and is the cultural gathering place of the spiritual characteristics of the people.through the analysis of the theme choice and emotional tendency of the poetry chanting Xiangshan Temple,it is considered that the pursuit of longevity,spiritual practice and insipid are the two important characteristics of Xiangshan Temple culture.The second is the academy culture.These poetry may praise the local emphasis on education,civilize the widely accepted social fashion,or admire the sages to express their thoughts of worrying about the country and the people.The poets’ common creative tendency reveals the connotation of Quanzhou academy culture: first,the social fashion of worshiping culture and emphasizing education.Second,advocating the ideological style of Confucianism.Finally,Xiangfei bamboo culture and pine culture.Because of its close relationship with the whole state,Banzhu was used by poets in the Ming Dynasty in the creation of poetry related to the whole state,either to express the sorrow of parting,or to express the feelings of tourists’ homesickness,thus infusing a kind of tragic emotional tone of resentment and poignant beauty into "Banzhu".Because of Zhang Fu,the pine tree has become the representative material object of the whole state,and it has become a unique language symbol under the general cognition of the people of the whole state and the impression of foreign poets.It integrates Zhang Fu’s virtuous style and conveys his ideological characteristics of diligence.