On The Artistic Presentation Of Romantic Feelings In Jiang Wei’s Reportage

Jiang Wei’s reportage is full of passion and brilliance,showing deep romantic feelings on the basis of authenticity.This paper analyzes this remarkable feature at the artistic level,explores the generation strategy of the romanticism of the text,and then makes a deeper interpretation of its creation,explaining the unique position of its works in the contemporary reportage literary circle.The first chapter focuses on the conception strategy of Jiang Wei’s reportage.First of all,the structure reflects the author’s arrangement and collection of the text.The block-like structure allows the author to freely exert the organization of the meaning group,and also breaks the conventional narration with the staggered structure of time and space,which makes the work get rid of the boring and refreshing.Secondly,the clues reflect the ups and downs of the author’s emotions.Through the writer’s galloping feelings and the characters’ passionate emotions,the clues become the grass snake and the grey line of a thousand li,driving the text to the peak of emotions.Finally,the plot also gives full play to the author’s subjective initiative,and the suspense plot that arouses people’s interest and curiosity is cleverly set by him.And in the title,beginning,ending and other parts of the elaborate arrangement,can see the author’s ingenuity and romantic mood.The second chapter mainly discusses how Jiang Wei’s works are involved in romance from the perspective of narrative intervention.In the application of omniscient perspective,the works show reasonable exaggeration and moderate imagination factors,showing the proximity and intersection of romantic literature,the text presents a unique style.The appearance of the intervener not only strongly highlights the author’s subjective attitude,but also absorbs the rarely seen second person narrative subject,so that the narrator always participates in the text narrative process with a significant attitude and strongly expresses the author’s thoughts and feelings.Jiang Wei also carried out controlled emotional catharsis in the text,so the discussion discourse has a distinct lyrical direction,and realized the functional construction of non-narrative discourse in expressing his feelings directly and spreading his thoughts.The third chapter combines language and technique to analyze how Jiang Wei sets off the romance to the reportage works.His works have dazzling language landscape,local flavor of the idiom close to life,vivid and interesting;Daily dialogue pouring characters true feelings,straight profile of the true,touching;The stacking of parallel sentences strongly enhanced the emotion,which showed Jiang Wei’s pride,talent and true feelings.The corresponding writing techniques are also various.For example,word reappearance plays a role of stressing mood,and the reference to other artistic techniques makes his texts reflect the interaction and transformation with novels,films and paintings,and the romanticism of the texts has been increased,leaping out of the serious constraints of reportage and presenting a unique style.The conclusion summarizes Jiang Wei’s creative achievements,discusses the role and influence of romantic feelings on his reportage from the perspectives of conveying the writer’s personal feelings,shortening the distance between inside and outside the text,promoting the development of reportage and poetizing the suffering life,and points out that this writing technique has made a new beneficial attempt for the reportage literary circle and readers’ reading experience.