Exploring Mr. Rao Yuyan’s Polyphonic "Nationalization"

Mr.Rao Yuyan is a famous polyphonic music master in modern and modern China,and plays a role in promoting the development of national polyphonic music in China.Throughout his life,Mr.Rao Yuyan has been exploring the "Chineseization and nationalization" of traditional Western polyphony,and has formed a unique "Rao style" through the integration of ethnic folk music and Western traditional polyphonic techniques.Composed in 2003,"Music Poems-Stuffed Songs" is Mr.Rao’s later work,and it is also a successful exploration of Mr.Rao’s polyphonic "nationalization",which is also a breakthrough work for Mr.Rao.Different from the traditional national folk music style,Mr.Rao uses the ancient poem "Stuffed Song" to break the tradition on the basis of the long-term integration of Chinese national music,design two themes with the Dunhuang music style of the Western Regions,and innovate the "arch bridge" structure and non-traditional national tune,join the national orchestra to play,combine these national music languages with Western traditional polyphony,form his distinctive "Rao style" creative style,and realize the "nationalization" of polyphony.In this way,a rich scene structure is constructed and has a great sense of picture,and the national orchestra has reached an unprecedented sense of layering and rich expression at the level of symphonic expression,telling the history of Emperor Wudi of Han in the Western Han Dynasty of China to conquer the Xiongnu in a combination of Chinese and Western ways.The thesis takes "Sound Poetry-Saixia Song" as the research object.Through the collection of relevant information on the creation and performance period of the work,the combing and analysis of musical scores,the investigation of historical facts and the historical background,we have a more accurate understanding of the research on this topic.,to have a deeper understanding and understanding of Mr.Rao Yuyan’s exploration and practice of the integration of national music and Western traditional polyphonic techniques,to fill in the blanks in the research on this topic in the field of polyphony,and to provide some references for the creation of contemporary national polyphonic music in the future.