The Creative Conception And Performance Analysis Of Zheng Music "Recalling Chang An"

Since the 1980 s,with the deepening of the concept of "Qin Zheng returns to Qin",excellent works with Shaanxi’s unique music style have been emerging.In recent years,the innovation of national works has gradually improved.Some newly created Shaanxi zither songs also add western composing techniques on the basis of their own styles,which brings another climax to the development of Qin zither.In2018,on the 35 th anniversary of the establishment of Shaanxi Qin Zheng Society,eight new zheng music works were successfully premiered in the "Commissioned New Works Concert" held in Xi ’an Conservatory of Music.Among them,"Remembering Chang ’an",with its unique music style,novel singing and reading skills,and rich emotional experience,was highly recognized in the zheng circle once it was premiered."Memory of Chang ’an" is an excellent zither music work by Mr.Zhou Yuguo,based on absorbing the folk opera music of Qin Dynasty and re-creating the music system of "tone".In addition to being premiered in the "Commissioned New Works Concert","Memory of Long An" was also performed as a contestant in the CCTV National Instrumental Music Competition held in 2019.In 2020,it was compiled in "Eight New Zheng Songs",published by Shanghai Music Publishing House.The research object of this paper focuses on the artistic style and performance analysis in "Yi Chang ’an".Taking the composing idea of the whole song as the main line,the sound effect created by the whole song and the emotion in the performance process as the entry point,the musical form of "interweaving dots and lines" and the regional musical style in the work are analyzed.The full text is composed of four chapters.The first chapter is mainly about the composer’s introduction and the creation process of Remembering Chang ’an.The second chapter interprets the composer’s creative thinking and the use of materials in "Remembering Chang ’an".In addition,the paper analyzes the regional style and musical features of Qinqiang Opera,the musical material used.The third chapter is the performance analysis of the work,the author will pay attention to the performance techniques,performance state,the use of breath between voice parts,emotional coordination and other aspects.The fourth chapter explores the cultural connotation of the works,and studies the cultural expression and representation of the singing and reading parts in the works.