Chang Xiangyu Genuine Sound Mixing Concert Art In The National Vocal Music

The age-old art of Chinese national vocal music is an important part of Chinese traditional culture. With its rich cultural background and unique singing style, it is well appreciated by numerous singers and audiences, and it expresses their thoughts, feelings and hopes. However, during the course of the development of its singing style, there are some arguable problems, such as duplication of styles and misleading of singing skills. In order to resolve these problems, the author discusses the application of Chang Xiangyu School's mixed-voice singing skill, which is a combination of unfalssetto and falsetto. That will be of historical and practical significance for the inheritance of national cultural legacy and the healthy development of national vocal music.This thesis studies deeply into the singing styles and skills of Chinese national vocal music, and expounds how to apply Chang Xiangyu School's mixed-voice singing skill to resolve those problems. This thesis consists of the follow parts:Chapter 1 Introduction of Yuju This chapter introduces Yuju's different styles and schools, its development, scripts and representative performers.Chapter 2Introduction of Chang Xiangyu This chapter introduces Chang Xiangyu's experience of art and her contribution to Yuju.Chapter 3 Formulation of Chang Xiangyu School's Mixed-Voice Singing Skill This chapter introduces the historical and cultural background of the formulation of Chang Xiangyu School's mixed-voice singing skill, and expounds that it is a good method to resolve the problems of national vocal music.Chapter 4 Definition of National Vocal Music This chapter discusses the definition of Chinese national vocal music in a broad and a narrow sense.Chapter 5 Development of Chinese National Vocal Music This chapter mainly expounds the development of Chinese national vocal music and its singing styles and features in different periods since 1949.Chapter 6 Zhou Enlai's Assumption of "Combination of Three Women"This chapter introduces its historical background and practical significance.Chapter 7 Historical Classics of Combination of Traditional Opera and National Vocal Music This chapter introduces some successful classics of using Chinese traditional opera as reference in the course of the development of national vocal music.Chapter 8 Application of Chang Xiangyu School's Mixed-Voice Singing Skill to National Vocal Music This chapter is the most important part of this thesis. The author scientifically analyzes Chang Xiangyu School's mixed-voice singing skill and some problems of national vocal music, and expounds that the advantages of Chang Xiangyu School's articulation, breath and resonance can help resolve those problems.Chapter 9 Similarities and Differences between Chang Xiangyu School's Mixed-Voice Singing Skill and Western Singing Skill This chapter compares Chang Xiangyu School's mixed-voice singing skill with western singing skill in terms of breath and resonance, and expounds that the former is as scientific a singing skill as the latter.Chapter 10 Combination ef Chang Xiangyu School's Mixed-Voice Singing Skill and National Vocal Music as an Exploration of New Chinese Singing Skill This chapter expounds the introduction of new Chinese singing skill and the possibility and necessity of the combination, which is a beneficial exploration of new Chinese singing skill.Conclusion On the basis of the summary of this thesis, the author briefly analyzes the prospects of Chinese national vocal music and proposes some constructive ideas.Appendix Report of Field-Work on Yuju...