Study Of Bartok’s String Quartet’s Structural Thinking

Béla Viktor János Bartók(1881.3-1945.9)was one of the outstanding composers of the 20 th century who integrated folk music with his creative soul.In addition,he was also a pianist and ethnomusicologist.He is also a patriot,his works of a large number of folk music material mainly in Hungary and Eastern Europe,has a great influence and high status in history.His works range from opera,orchestra,ballet,piano and other genres.The string quartet works accompanied Bartok’s various stages of creation,which shows the importance of this genre in the creation of composers.This paper selects Bartok’s early and late String Quartet No.2 and String Quartet No.6 respectively for comparative analysis and research.In the conclusion part,the techniques and connections of the two works are sorted out,and the main structural thinking characteristics and cognition of their creation characteristics and techniques in string quartet are summarized.To explore the development and change of the composer’s early and late creative thinking and creative techniques.This paper will be analyzed through four chapters.The first chapter gives a brief introduction to the author’s life experience,creation process and creation background,in order to introduce the two works studied and understand the composer’s artistic conception.Chapter two and chapter three are a comprehensive analysis of the seven movements of String Quartet No.2 and No.6.The fourth chapter analyzes and compares the composition techniques and characteristics of the two works.