The Style And Performance Analysis Of The Wan Wan Qiang In The Horn Concerto "Qinchuan Cradle"

In the development of music in modern China,the fusion and breakthrough of Chinese and western music,the "alternative combination" of traditional opera and classical music,the form in which the excellent traditional music of China is placed by western instruments,was once widely used by Chinese musicians in their creation,and in order to achieve the purpose of "foreign as Chinese",it produced a kind of musical innovation and fusion method of "writing God in form".It is understood that the older generation of artists in the early days of liberation began to put into practice in this way,in-depth exploration of traditional music in the new era can be innovative methods,try to show the new charm of music.Opera is an excellent cultural heritage and a highly integrated national art.Its unique artistic value has been favored by composers.Chinese composers also implicitly or explicitly borrowed the sound,timbre,tone,melody and so on from opera into their own works,making them immortal musical classics.The "Qinchuan Cradle" studied in this paper is a horn concerto created by Liu Yang based on the local opera wan wan qiang in Shaanxi province.It is innovative in content and form,breaks the conventional tradition,and has the artistic image of Shaanxi music style.It is a fusion of the opera wan wan qiang music into the horn works,and the content is a bold attempt to integrate Chinese and western music.And by Fu Lei in the National Art Fund to apply for the first performance.The music shows the strong Shaanxi style,the authentic northwest feelings,has received a strong response.Although the French horn and opera are products of two cultural carriers with different styles of expression,music has no borders and is the common language of mankind.The creation of Chinese French horn works is the mission of cultural inheritance for creators and performers to carry forward traditional culture and strengthen cultural confidence.In this paper,the author takes regional music in a narrow sense(refers to the original music within a specific range,that is,the local music nourished by natural conditions,human factors,social factors and other conditions within the region)as a perspective.This paper analyzes the common factors that can be integrated between the two from the aspects of dialect differences,the characteristics of the style of the bowl style music,the way of playing the French horn and so on,and finally obtains the specific methods of the French horn’s personalized performance of the wan wan qiang music style,so as to better grasp the stylistic characteristics.At the same time,it is also hoped that this paper takes Shaanxi opera music as the starting point,and can provide some reference and help for the horn players in learning and playing Shaanxi opera music style works.