Music Studiese Of Quwo Wanwanqiang Opera

Quwo Wanwanqiang is a local opera popular in Quwo County,Shanxi Province.It is Sung in Quwo County dialect and is accompanied by a unique percussion instrument,the bowl.At the beginning of its rise,Quwo Wanwanqiang was a kind of shadow play,which later developed into its own characteristics.According to the textual research,the origin of Quwo Wanwanqiang is closely related to Shaanxi Wanqiang.In the course of its development,it continuously absorbed the artistic essence of the southern Jin Pu opera,Meihu opera and other operas,gradually formed a quite attractive local drama.The singing structure of Quwo Wanwanqiang is a Banqiang structure.The singing style of Quwo Wanwanqiang is gentle and delicate,with different singing characteristics.The accompaniment of Quwo Wanqiang is composed by the Wenchang and Wuchang,with the Yueqin,Banhu and Erguxian as the main instruments,and the Wanwan and wedge as the main instruments.The singing characteristics of the Wanwanqiang tunes in Quwo County are closely related to the Quwo County dialect,the correlation between the tune of Chinese opera and the tune of dialect forms the phonological features of the opera in Quwo Wanwanqiang.Therefore,it is of great significance for the inheritance and innovation of the local opera to investigate and study the characteristics of the vocal music and the rhyme of the opera in Quwo County.The main contents of this thesis are as follows:The first part deals with the origin and development of the Quwo County bowl cavity.Based on the related achievements of history and geography,the author puts forward two kinds of origin theories about the origin of the Quwo Wanwanqiang,combing the development process of Quwo Wanwanqiang according to the historical context,in order to make a real sense of the origin of Quwo Wanwanqiang can be found.The second part,mainly from the singing structure,the Melody Characteristic,sings the characteristic three aspects,unifies the score example to carry on the quite intuitionistic analysis to the Quwo Wanwanqiang music,through summarizes the Quwo Wanwanqiang creation the general rule,with a view to provide guidance for his second creation.The third part mainly analyzes and discusses the accompaniment music of Quwo Wanwanqiang from two aspects.Firstly,on the accompaniment instrument,the general accompaniment law is analyzed according to the form characteristics of the main accompaniment instruments.Secondly,on the instrumental music,the mode characteristics and application range of each tune are analyzed so as to highlight the main mode characteristics of the Quwo Wanwanqiang.The fourth part,combined with the analysis of traditional repertoire,compares the phonology of Quwo Wanwanqiang.By analyzing the relationship between the tune and the tune,the author finds out the writing rule of the tune of the Quwo Wanwanqiang,which is often based on the tune of the tune Through the analysis of its rhyme situation,this paper expounds the artistic expressive force of Thirteen rhymes,and sums up its general rhyme situation.This part of the study is intended to provide a theoretical basis for the creation of Quwo Wanwanqiang.In the last part of the thesis,the author uses the form of tables to analyze and compare the similarities and differences between the two main types of bowl plays,Xiaoyi style and Quwo style,in order to highlight the characteristics of Quwo Wanwanqiang,and through the Comparative Study of the two,this paper attempts to draw the attention of the academic circles to the Wanqiang opera in Shanxi,so as to promote the mutual exchange and common development of the two to a certain extent,for the prosperity of Shanxi Opera Culture to create good results.