Practical Exploration On The Image Shaping Of Qiang Women In Dance Performances

"Image building" is the soul and core of dance performance.Image shaping in the dance performance is a process from the outside and inside,and then from the inside out,the author is learning to perform the Qiang dance works found that the Qiang female image shaping in the dance performance has an important position,dancers shape full Qiang female image can not only convey deep emotional awareness,but also reflect the Qiang ethnic rich cultural heritage.Degree work "Daughter Ma" is based on the unique marriage culture of the Qiang as the creation background,divided into five dance sections to expand in detail.That is,"Missing" reflects the Qiang women’s yearning for beautiful love;"Love" reflects the Qiang women’s shy and sweet character;"Spring Farming" reflects the hard-working and simple characteristics of the Qiang women;"Weaving a Dream" reflects the character of the Qiang women dexterity;"Marriage" reflects the loyalty of the Qiang women to the beautiful love.Degree works "daughter Ma" is the author participated in the creation and as the leading role of the dance works,and this article to "Qiang female" this character as an example,from the external feasible path to obtain the cognitive image of the Qiang female,to the dancer inner emotional climax embodiment of externalization in shape,combined with dance props,clothing and rehearsal stage experience and feeling to complete the image of the Qiang female,Thus,the construction process can be realized from outside to inside and from inside to outside.Through research,the author found that in the process of rehearsal through feeling the characters,understanding the characters,the image of the Qiang female have further cognition,with their own body language to elaborate the image of the Qiang female,to explore in the performance system how dancers and role coordination and unity,how to achieve the integration of body and mind.The introduction explains the reason of topic selection,research significance,research status,the interpretation of the character image of "Daughter Ma" and the selected research methods.The second chapter is that dancers should seek all feasible external ways to obtain the image of works at the beginning of constructing the female image of Qiang ;The third chapter from the study and understanding of the female culture of the Qiang ethnic group,female festivals to enhance the dancers’ cognition of the female image of the Qiang ethnic group,through the internal and external stimulation of the dancers themselves,so that the dancers gradually transform to the role,so as to enrich the inner emotions of the dancers,to achieve the improvement of the spiritual realm;The fourth chapter is the inner emotional climax of the dancers externalized in the form,and the combination of dance props,costumes to complete the female image of the Qiang ;The fifth chapter is based on the author’s experience and feeling in the process of rehearsing the degree work "Daughter Ma",and then summarizes and rethinks.Therefore,the author to "from the outside in,from the inside out" performance method for the construction of the female image of the Qiang ethnic group,the construction process dancers should accurately grasp the inner emotional characteristics of the characters,and then in the emotional externalization of the form of dance props,clothing and other external means of expression to complete the shaping of the female image of the Qiang ethnic group,in order to achieve the inner life meaning of dance works.