| The essence of the establishment of Yan’an Pe King Research Institute is that the Communist Party of China for traditional literature and art is to unite the national front and publicize the thought of Anti Japanese war in the new era,so as to achieve the purpose of creating new national revolutionary weapons.Its starting point is to take the service of workers,peasants and soldiers as the core,and use literature and art to serve the war of resistance against Japan,so as to popularize and educate the people.During the war of resistance against Japan,Pe King opera escaped from the shackles of the feudal class and created a new national art form.It absorbed new knowledge from the previous typed and stylized art form in the new historical period,so as to make Pe King Opera a sound national art.It also received special preference in Yan’an because it was more in line with the national character and national vitality respected by the Communist Party of China.The reform of Yan’an Pe King opera is a literary and artistic reform in the special political period.It uses Pe King opera as a popular culture to carry out subtle publicity and education to the people,organize publicity to the people under the direct leadership of the party,and use the people and the working and peasant class to reform the old opera,so as to form an anti Japanese national united front in ideology and speed up the pace of the Chinese revolutionary movement.However,in the new era,in addition to being controlled by ideology,the reform of Pe King opera also has its own characteristics: collective drama creation mode,new historical mass characterization,revolutionary "modern" art form.Pe King opera is a comprehensive art.It is not only necessary to innovate the old ideological content in the new era,but also to reform the old art form,so that the opera can have more flavor of the times,While becoming a powerful weapon of revolution,it has also become a national and mass art.This paper will explain how to integrate the old art of Pe King opera into the new era and make it shine new brilliance from the aspects of preparation experience,literary policy,institutional setting,script creation and stage art,imperceptibly affect the people’s Anti Japanese enthusiasm,and explore whether a new national art has been successfully created in the new historical period.The reform of Ping opera in Yan’an Pe King opera research institute is not only a revolutionary and modern filling of the content of opera,but also a successful creation of a special Yan’an paradigm.It can be said that the party’s successful transformation and utilization of traditional literature and art,while transforming traditional literature and art,establishes the cultural confidence of the Chinese nation during the new democratic revolution,and provides a reform model and model for the subsequent opera reform.Firstly,this paper studies the experience preparation,historical background,literary and artistic policies,organizational structure,etc.of Yan’an Pingju Research Institute through solid historical data and literature collection;Secondly,it analyzes that the reform of Yan’an Pe King is the difference of script creation and the debate in the process of reform,and analyzes the two narrative paradigms of "turning over liberation" and "people’s hero" in the script creation of Yan’an Pe King;Thirdly,it discusses the innovation and practice of the director art,stage art,performance watching composition and location of Ping opera in the process of Yan’an Pe King opera reform;Fourth,through the above discussion,we can understand the value and significance of Yan’an Pe King opera reform,the impact of Ping opera reform on the subsequent drama development,and the promotion and deepening of Yan’an paradigm.This paper discusses the reform of Yan’an Pe King Research Institute from the perspective of drama art,and proves that the party not only stipulates the direction of serving workers,peasants and soldiers in the political form,but also plays a guiding role in the artistic form,which not only strengthens the party’s figure in the later literary and artistic work,but also provides a reform model and model for the later reform of artistic form. |