Aesthetic Study Of Jian Zhai’s Poem

Chen Yuyi(named Jianzhai)is the most outstanding poet at the turn of the Song Dynasty.His poems contain unique aesthetic experience and high artistic achievements.This article studies the aesthetics of Jianzhai’s poetry from four perspectives: the acceptance of Han Yu’s poems,the selection of light and shadow images,the expression of three kinds of poetry,and the formation of two styles of poetry.In terms of inheriting his predecessors,Jian Zhai has a certain degree of acceptance and learning of Han Yu’s poems.The most prominent feature is that he builds a large amount of acceptance on the basis of intertextuality,and shows a tendency to closeness,which reflects his pursuit of language ideology.Implicit tortuous aesthetic tendency.In terms of image selection,Jian Zhai often uses "light and shadow" into his poems.He has a keen sense of light and shadow changes and a unique aesthetic experience,reflecting his aesthetic tendency to pay attention to subtle things,emphasis on impressionistic experience,and moments.The preference of beauty.In terms of emotional expression,the three poetic sentiments of Jianzhai’s poems,feelings of homelessness,feelings of worries,and feelings of the world,are the most resonant.These three kinds of poetic feelings are in line with people’s common preference for loneliness and antipathy.There are three different kinds of lyrical beauty: forbearance of sadness and love for helplessness.In terms of style formation,the "light" style in Jianzhai’s poems reflects an aesthetic tendency that advocates a sense of freshness and elegance.The formation of this style of poetry is inseparable from the use of sentence patterns to concretize the language as much as possible;The "deep and broad" style reflects an aesthetic tendency to pursue illocutionary meaning.The formation of this style of poetry is inseparable from the use of sentence patterns to express more abundant and multiple meanings within a limited number of words and length.