The Aesthetic Construction Of The Mobile Community In Wang Anyi’s Novels In The New Century

This article takes Wang Anyi’s novels in the new century as the research object,and focuses on the aesthetic construction,aesthetic presentation,literary history value and staged limits of creation of the mobile community in the novel.The main contents are divided into three parts:The first chapter explains and combs the era context and textual representation of the deconstruction of the traditional community in the novel.It is proved that Wang Anyi’s novels in the new century have seen the reasons for the deconstruction of the contemporary Chinese traditional community.The drastic changes in the social environment,the abnormal variation of the family environment,the tension of interpersonal relationships and the indifference of human relationships constitute the lingering chains of life for mobile individuals.Exploring,breaking through,looking for,and moving forward are the inevitable choices of mobile individuals.The difference is which way the individual chooses to break through.Wang Anyi wrote about the diverse faces of mobile individuals who break through,such as explorers,nostalgics,and bewilders,presenting vivid pictures of life exploration.The second chapter analyzes the multiple images and narrative strategies constructed by the mobile community in the novel.The floating population seeking survival is subject to the constraints of life,far away from their hometowns and relatives,and separated from traditional communities.What kind of effort do they need to make?How to find a place where both body and mind can survive?Wang Anyi’s novel gives the answer.Realize community reunion in literature.It is expressed as a labor community under the influence of people’s emotions,a community of spiritual cohesion with friendship,and an "anonymous" community.This reflects the author’s unique concept of novel creation,which is to give up loneliness and find a sense of belonging in the community.Further exploring the method of storytelling,find that Wang Anyi is good at using typical images to symbolize the fate of the community.Use folk songs,words,stories and other word games to undertake different narrative functions;break the two-dimensional narrative space between urban and rural areas,and open up a narrative space of flow and change.Good at writing the changes of light and shadow,composing the rhetorical aesthetics of the picture.Through various narrative methods,the living conditions of the mobile community can be reproduced.Chapter Three traces the origin of mobile community construction in the novel from the perspective of creative psychology and creative motivation.It further points out the literary value and narrative limits of Wang Anyi’s novels in the new century.The aesthetic construction of the mobile community not only originated from the writer’s own "flowing" experience,but also accompanied the writer’s transformation from "lack"motivation to "rich" motivation,realizing her literary ideal of "striving to write a broad life".It is full of humanistic care.The conceptual novel elements presented in the novels,the lack of civilized connotations in foreign themed novels,the obsession with exquisite daily narratives and the simple exploration of the spiritual level are still the narrative bottleneck of Wang Anxin’s novels and deserve attention.The conclusion of this article is that,Wang Anyi’s novels in the new century have realized the innovative exploration of themes based on the aesthetic construction of the mobile community.This is not only the breakthrough of mobile individuals who break the shackles of life to explore the community,but also that Wang Anyi breaks the"literary community" and realizes personalized creation.The research and criticism of the novel at this stage have updated the research perspective,and at the same time has a positive meaning for summing up the value of the work and finding the creation dilemma.