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Research On The Spatial Structure And Cultural Image Of Zhu Jiyi’s "Eight Scenes Of Guanzhong" In Qing Dynasty

Posted on:2024-05-17Degree:MasterType:Thesis
Country:ChinaCandidate:Y L LiaoFull Text:PDF
GTID:2542307157468694Subject:Landscape architecture study
Abstract/Summary:PDF Full Text Request
"Eight scenes of Guanzhong" is known for its profound historical accumulation and rich cultural resources.However,in the current urban construction and development,"Eight scenes of Guanzhong" cultural resources lack due protection and utilization,and the beauty of connotation and artistic conception is more or less lacking in inheritance.Therefore,the protection of traditional regional landscape characteristics is particularly important.This study takes Zhu Jiyi’s "Eight scenes of Guanzhong" in Qing Dynasty as the research object,through field research,analysis of tablets,historical materials,interpretation of poems and other research methods,combined with the theories of cultural image,"shan(mountain)shui(river)xing(shape)sheng(advantageous terrain)","the unity of nature and man" and so on,the cultural implication of Zhu Jiyi’s "Eight Scenes of Guanzhong" in Qing Dynasty is analyzed from the perspective of cultural landscape image.Firstly,the research on "Eight sceneries" and "Eight scenes of Guanzhong" at home and abroad in recent years is sorted out and summarized,and on the basis of analyzing the shortcomings of current scholars’ research,the related concepts and their research value are expounded.Secondly,on the basis of the development and evolution of the "Eight scenes of Guanzhong",this paper gives a more detailed overview of the origin of Zhu Jiyi’s "Eight scenes of Guanzhong",the orientation and evolution of each scenic spot,and analyzes its development and evolution characteristics.Again,based on historical materials,the paper analyzes the spatial elements,the elements of "the unity of nature and man",the landscape environment composition of "shan(mountain)shui(river)xing(shape)sheng(advantageous terrain)",the landscape space composition and the Cultural image of Zhu Jiyi’s "Eight scenes of Guanzhong" in Qing Dynasty.Finally,this paper takes "yan ta chen zhong" landscape as an example to explain Zhu Jiyi’s "Eight scenes of Guanzhong" landscape inheritance.Based on the modern application of "Eight scenes of Guanzhong" in Qujiang Creative Valley in Xi ’an,this paper summarizes the suggestions on the application of "Eight scenes of Guanzhong" in modern landscape design.Based on the above research on Zhu Jiyi’s "Eight scenes of Guanzhong" in Qing Dynasty,this study provides cultural support for China’s regional landscape spatial planning,garden design,and artistic conception of cultural landscape.At the same time,it has certain practical significance for the protection of cultural heritage and the promotion of excellent traditional Chinese culture by using historical and cultural resources.
Keywords/Search Tags:"Eight Scenes of Guanzhong", " the unity of nature and man, "shan(mountain) shui(river) xing(shape) sheng(advantageous terrain)", Cultural image, Landscape architecture
PDF Full Text Request
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