Perception Phenomenon And Intangible Cultural Heritage Performance:Hunan Yueyang Dongting Fishing Song Heritage Landscape Design Research

Intangible cultural heritage(hereinafter referred to as " intangible cultural heritage "),as an extremely precious cultural resource of a country and even the world,has gradually faded in memory and demand in the current era,and there is still a problem of single inheritance mode.At present,the exhibition space of intangible cultural heritage is mainly based on streamlined visits and static historical and cultural exhibitions,which makes the existing intangible cultural heritage dissemination still a one-sided and one-way process.People just simply walk a ’ pass ’,failed to really perceive the connotation of intangible cultural heritage,resulting in mutual alienation between the public and culture,it is difficult to really produce a sense of identity.The emphasis on body and body perception in Merleau-Ponty ’s phenomenology of perception and its understanding of time and space dimensions can enhance the embodied experience and the function of the times in the exhibition space of intangible cultural heritage,increase the contemporary vitality of intangible cultural heritage,and provide a new path for the inheritance of intangible cultural heritage.Therefore,from the perspective of perceptual phenomenology,this thesis takes the intangible cultural heritage exhibition space as the research content,establishes the connection basis between perceptual phenomenology and intangible cultural heritage from the spatial level of exhibition,summarizes the design strategy of intangible cultural heritage exhibition space under perceptual phenomenology,and demonstrates it through design practice,aiming at providing new space ideas for the inheritance of intangible cultural heritage in the new era,so as to achieve the purpose of inheriting and activating intangible cultural heritage.The full text is divided into three parts.Firstly,the research status and theoretical characteristics of related concepts are summarized,and excellent design methods are extracted through case analysis to lay the foundation for later research.Secondly,by analyzing the four combination points and correlation points of body subjectivity,space-time activity,perceptual deduction and site bearing in the inheritance space of intangible cultural heritage,starting from the three levels of time,perceptual field and behavior field of perceptual phenomenology,this paper puts forward three design strategies of perceptual experience to construct space foundation,multi-dimensional space-time deduction of living culture and behavior orientation to construct experience streamline.Finally,taking Dongting Fishing Song,one of the intangible cultural heritages,as the inspiration source and cultural basis of practical design,according to the design idea of intangible cultural heritage exhibition space strategy under perceptual phenomenology,the design practice of Dongting Fishing Song heritage landscape in Yueyang,Hunan Province is further demonstrated.In the organization of the site streamline,the design of the exploratory site streamline is guided by the public behavior;in terms of perceptual experience,the space of embodied experience with the integration of multiple senses makes Dongting fishing songs have more perceptual connections with tourists and form deeper memories;in the presentation of space-time dimension,the culture and history of Dongting fishing songs are conveyed through the dynamic language of landscape performance,and the function of the times is added to integrate the daily life of the public with the living landscape.In the way of space blank and cross-border integration,the future development of Dongting fishing songs is prospected.To realize the practical application of perceptual phenomenology in the heritage landscape of Dongting fishing songs,solve the existing problems,improve the life and times of Dongting fishing songs,and make it develop and inherit better in the new era.