Han dynasty stone relief is a unique tomb culture during the Han Dynasty.It is the most intuitive image historical data for us to understand the social development of the Han Dynasty.Xuzhou,as the birthplace of the Han culture,has a wide range of content and forms of stone portraits.Among them,the feather man pattern carries the Han people’s good wishes for the tomb owner,contains the Han people’s profound longing and pursuit for freedom,as well as the change and development of China’s immortal thought.This research focuses on the pattern of feather man in Han portrait stone in Xuzhou.This paper expounds the significance of feather man pattern in clothing application by analyzing the artistic characteristics of feather man pattern in Han portrait stone and the innovative application of wing element,animal pattern element and geometric pattern element in feather man pattern in contemporary design.Firstly,taking the history and culture of the feather man as the starting point,this paper expounds the origin,origin and cultural connotation of the feather man.Secondly,it collects,arranges and analyzes the feather man patterns in Xuzhou,and uses the classification method to analyze and explore the content,body movements,clothing shape and decorative patterns of the feather man patterns,At the same time,this paper analyzes the cases of the elements of the feather man pattern in modern design,to explore the feasibility of feather pattern elements in fashion design.Finally,combined with the above case analysis content,this paper carries out linear tracing,deconstruction and reorganization of the feather man pattern in the Han portrait stone,and explores the feasibility of the feather man pattern in modern clothing design by using printing,carving and drawing,The design of new national fashion art costumes will provide more ideas for the development of ethnic culture and the innovation of modern costumes,which will have great historical significance and value for the inheritance,development and integration of ethnic culture. |