A Study On The Pattern Of "colorful Flowers" In The Song Dynasty

With the development and prosperity of cities and commercial economy in the Song Dynasty,the scholar class became a new force.the secular culture and aesthetic tastes reflecting the spiritual needs of citizens began to be active,religion began to be secularized,and Confucianism became philosophical.The development of the Song Dynasty also reached the highest level in ancient Chinese culture and economy.In such a historical background,the research and exploration on the popular decorative pattern of plants "Sheng Se Hua" in the Song Dynasty was carried out."Sheng Se Hua" generally refers to the sketch-like decorative pattern of Floral sprays that appeared in the Tang Dynasty and was influenced by the flower and bird paintings during the Song Dynasty,Therefore,it is also called "Sheng Se Zhe zhi Hua".From the perspective of pattern decoration research,there is the saying express that "Tang Baoxiang,Song Shengse",which shows the popularity and research value of "Sheng Se Hua" decorative patterns in the Song Dynasty.From the perspective of the decorative pattern of "Sheng Se Hua" in this thesis.First of all,the first chapter combines the political and cultural background and commodity economic conditions of the Song Dynasty,studies the concept and definition,origin and development,connotation and essence of "Sheng Se Hua" decorative pattern,which is in the period of prosperity and transition of traditional culture and art in the Song Dynasty.Secondly,the second chapter explores the decorative features and formal aesthetic analysis of the "Sheng Se Hua" in the carrier,including porcelain,fabrics and so on.It also explores that the "Sheng Se Hua" decorative pattern should exist to highlight the carrier,and at the same time discussing the relationship between the "Sheng Se Hua" pattern and its carrier.Then,the third chapter actively explores the related influence of the flower culture prosperity as the pattern noumenon on the subject types and audiences of the "Sheng Se Hua" pattern;explores the specific influence of the Song Dynasty courtyard paintings on the "Sheng Se Hua" pattern;and also explores the changes of the overall artistic atmosphere and decorative patterns under the guidance of Song Dynasty's trend of thought.Finally,the fourth chapter,combines the turning point in the development of the realism of the "Sheng Se Hua" and discusses the essence of the pre-Song and Song Dynasty realistic patterns to construct the value of the order,and reflects the subject of human and the value of human aesthetic consciousness in Song Dynasty.We use the method of constructing in modern design to fragment the traditional Chinese culture in nowadays.It is our cultural heritage and decorative features carried by the "Sheng Se Hua" pattern that make it in a new context.An important means of rejuvenation is also a foothold that distinguishes China from other ethnic design features.