To Explore The Artistic Ductility Of Jiang Yongnvshu's Contemporary Calligraphy And Seal Cutting Creation

In the 1980 s,Jiangyong Women Characters was officially published as an article by the scholar Gong Zhebing,"An Investigation Report on a Special Type of Writing-A Collection of Styles in Yaoshan in Southern Hunan".This has aroused great attention in the fields of folklore,philology,semiology,linguistics,and so on.From an artistic point of view,as a language within the cultural scope of Chinese characters,Women Characters can also be used as the carrier of calligraphy art.However,the calligraphy value of Women Characters has not been fully explored today,because there are not many original materials of the early Women Characters,so they are very mysterious.Judging from the current development of Women Characters‘ calligraphy,it is still at a stage where it has just broken away from "practicality" and entered the scope of "artistic",and its artistic achievements are not rich enough.Chinese characters have experienced the birth of "art" from "practicality" thousands of years ago.Can the artistic process of Women Characters be connected with it? With the premise that Chinese characters produce "artistic consciousness",can the "artism" of Women Characters be able to summarize and learn from experience to facilitate better development? This article analyzes the relevant factors that can tap the artistic potential of Women Characters themselves,and then uses the environment for the development of art and culture as a supplement.This article draws on the traditional calligraphy,seal cutting artistic styles and creative methods that can be reasonably referenced explores the practical creative direction,and explores the artistic extensibility of Jiangyong Women Characters in contemporary calligraphy and seal cutting from a theoretical perspective.