| Qingguan opera has become an important theme in opera at the very beginning of its birth.During the formation and development of Peking Opera,Qingguan Opera occupies a pivotal position in Peking Opera with its senior "generation",position in the eyes of the audience and far-reaching influence.The humanistic connotation of Qingguan Opera of Peking Opera comes from the related literary works of ancient China and the secular ecology,and absorbs the nutrition of the excellent plays of the previous generation,so it has been sought after by the times since its appearance.The full text is divided into three chapters:The first chapter is the classification and artistic characteristics of the upright official operas of Peking opera.After clarifying the origin of the term "Gongan" and what is "upright official drama" in the introduction,it classifies the existing upright official dramas and analyzes their characteristics.Chapter Two,the evolution of the upright official image in Peking opera.This chapter first analyzes the historical and cultural origins of the upright official image in the opera,and then starts from the four representative plays of the upright official.By analyzing the two aspects of the external image on their stage and the change in the concept of internal justice,the study of the upright official image is How it changed.The third chapter is about the reasons and significance of the evolution of the images of upright officials and knights in Peking Opera dramas of upright officials.In terms of why the change occurred,it mainly analyzes the historical and epochal reasons,the change of the main body of the upright official opera,and the influence of the audience’s acceptance of psychology.In a sense,this change is first reflected in the promotion of the development of Peking opera martial arts and martial arts,and also contributed to the changes in the structure of Peking opera upright official operas. |