Jiang Youhao's "Into The Sound Table" And The Study Of The Rhythm And Rhythm Of The Incoming Sound

Jiang Yougao was a famous master of ancient phonology in the Qing Dynasty,and was called the superstar of ancient phonology in Qing Dynasty by Wang Li.His phonological work Yin Xue Shi Shu,which has been handed down to the world,has only eight books actually engraved.They are Shi Jing Yun Du,Qun Jing Yun Du,Chu Ci Yun Du,Xian Qin Yun Du,Nian Yi Bu Xie Sheng Biao,Ru Sheng Biao,Tang Yun Si Sheng Zheng and Deng Yun Cong Shuo.Among them,as an important part of the Yin Xue Shi Shu,Ru Sheng Biao records Jiang Yougao’s important ancient phonology theory and is the most exciting part of ancient phonology.This article takes Ru Sheng Biao as the main research object,and refers to Jiang Yougao’s other works to conduct a comprehensive research on the ontology of Ru Sheng Biao.Discuss the views of the rhyme department.The first chapter is the introduction,systematically combing the history of domestic and foreign academic research related to Jiang Yougao,and reviewing and evaluating relevant documents.The second chapter briefly introduces Jiang Yougao’s life and works,and discusses the reasons why Jiang Yougao can achieve great achievements.Chapter Three introduces the Ru Sheng Biao from the aspects of basic content,style and nature.The fourth chapter sorts out the 1979 collections in Ru Sheng Biao.Including determining the source of all collected characters,summarizing the criteria and principles of their selection,and discussing the connection between ancient and middle ancient sounds in Ru Sheng Biao.At the same time,the Ru Sheng Biao was evaluated from the perspectives of the form of the table,the source of the examples,and the research materials.Chapter Five discusses the Ryusheng Rhyme Department and the Pingru relationship embodied in the Ru Sheng Biao.It introduces the innovation of Jiang Yougao’s twenty-one series,and then discusses Jiang Yougao’s ancient phonology theory.The viewpoints on the Ryushengyun were investigated in depth,and the Ryusheng Rhyme and Pingyu relationship embodied in the Ru Sheng Biao were evaluated from the perspectives of the materials for the Ryusheng and the relationship between Pingyu and so on.Chapter Six is the conclusion,reviewing the previous article and making a systematic summary.This essay innovatively conducts an in-depth study of the 1979 examples in Ru Sheng Biao.Through in-depth excavation of Shi Jing Yun Du,Qun Jing Yun Du,Chu Ci Yun Du,Xian Qin Yun Du and other materials,some can’t be found.The source examples are explained,and it is found that although Ru Sheng Biao is to show the ancient rhyme part,it also helps to study the connection between ancient and middle ancient sounds.At the same time,a comparative analysis of Jiang Yougao’s views on Rushengyun in Ru Sheng Biao with scholars of the same period in the Qing Dynasty puts forward an independent point of view on the division of Jiang Yougao’s rhyme parts,and summarizes the advantages and disadvantages of Jiang’s ancient phonology theory.