A Fringe Narrative Study In The Films Of Jaffa Panahi

Based on Iranian director Jafar Panahi's film as the research object,in exploring Jafar Panahi edge based on life,on the theme,characters in the film,theme,structure,and space,and audio parts,such as the borderline of comb,rendering Jafar Panahi marginal narrative content and form of expression in the movie,And from Jafar Panahi's national cultural identity as a breakthrough point,in-depth thinking of Jafar Panahi's film marginal narrative brought about by the cultural identity reflection.The main part of this paper is mainly developed from five chapters.The first chapter studies the relationship between edge narrative and Jafar Panahi's films,defines the concepts of edge,edge and edge narrative respectively,and discusses Jafar Panahi's marginal life.The second chapter on the outside of the "mainstream" theme,characters and theme exploration,presents a weak character "self" theme and subject matter,summarized two kinds of edge image of the characters,respectively is the alienation of the real world and ego world exiles,points out that the movie theme is to the reflection criticism of the social problems and love and humanistic orientation.The third chapter presents the exploration of "decentralization" of story structure and space.Jafar Panahi presents the "anti-conventional" narrative structure and the "anti-traditional" narrative space,presenting the survival dilemma of the marginalized characters.The fourth chapter is the visual and audio presentation of the representation of reality.Jafar Panahi explores at the edge of visual and auditory levels,presenting the inner reality of his characters.Fifth chapter combines jia method,naxi ethnic cultural identity,thinking jafar palmer naxi cultural identity reflection at the edge of the narrative movie,and analyze the jafar palmer naxi cultural identity and national cinema,the relationship between the statement of the naxi jafar film creation influenced by cultural identity,the cultural identity of reflection is mainly manifested in two aspects: First,the strategic expression of national cultural identity and Iranian reality;Second,humanitarian spirit and realistic concern.At present,Jafar Panahi's films,while presenting the social problems in Iran and the living conditions of marginalized characters in a realistic and objective way,constantly explore marginalized and wise narrative strategies,which contain rich value connotation,showing his attention to human emotions,exploration of narrative techniques,and expression of self-art.