| Du Fu,a poet of Tang Dynasty,had a lasting and far-reaching influence on the literary and artistic creation of future generations by virtue of his outstanding poetic achievements and noble personality charm.Opera works with Du Fu and his poems as the main theme emerged one after another in yuan,Ming and Qing Dynasties.There are ten opera works with Du Fu and his poems as the main theme,including five Ming Dynasty zaju,three Qing Dynasty Zaju and two Qing dynasty legends.In Ming and Qing Dynasties,dramatists often reconstruct Du Fu's stories based on his poems or a certain segment of his life,conveying rich and diverse ideological connotations.Among them,most of them interpret Du Fu's two songs of Qujiang and eight immortals in drinking,and Du Fu's spring outing on Qujiang and HUANHUAXI cottage life are favored by writers.The two legends of the Qing Dynasty have a long system space,so when constructing Du Fu's stories,the plot content is more abundant,which basically includes the important life nodes of Du Fu's life,and has the color of moral education.Du Fu's image of talent,loyal minister,maniac and hermit in the Ming and Qing Dynasty drama texts is another dimension of the interpretation of Du Fu by literati dramatists in history,and also an aesthetic projection under the influence of literati's creative mentality.Du Fu's dramas in the Ming and Qing Dynasties show the text construction characteristics of virtual reality.Du Fu's dramas in Ming Dynasty pay attention to artistic fiction and have the tendency of "advocating emptiness".In the Qing Dynasty,Du Fu's dramas paid more attention to historical reality,and had the tendency of "advocating reality".In addition,the language of Du Fu's operas in Ming and Qing Dynasties experienced the evolution from vulgarity to elegance.In the Ming Dynasty,the language of Du Fu's operas gradually changed from natural to poetic,while in the Qing Dynasty,the language of Du Fu's operas generally showed a clear,elegant and implicit language style. |
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