Love, Under The Ideological Discipline

"17 Years"in this paper refers to the first time from 1949, which is convened in 1966 to the"Cultural Revolution"period of the outbreak of Contemporary China, during this period, literature is developed in the barriers of established ideology, thus forming the"17 Years"Literature laws governing the operation of unique and significant in the landscape. In this paper, reinterpreting"17 Years"Novels on the Revolution by using the method of narrative, Through inspection of the"17 Years"Novels on the Revolution, the paper tries to find personal love of inhibition and rewritten by ideology, and tries to portray the relationship of love, revolution and class, and the discourse patterns, which is the measure of love in the private sector"17 Years"novels of this discourse practice in the role and significance.This paper is divided into two parts, the first part analyses narrative structure of the love plot. Love narrative in the"17 Years"version of the novel is oppressive, and dependent existence. But even such a presence was also given the significance of ideology, the ideology of love at every stage of almost all of the special provisions, or that the class and revolutionary discourse to love words to a specific performance characteristics of rhetoric so that different love stories show a similar content or similar circumstances. This paper attempts to"Narrative beginning","Narrative development"and"Narrative outcome"to divide and the general the three basic stages of love narrative of"17 Years"Novels on the Revolution, beginning in the narrative stage, the absence of love in general is set to state; in the narrative stage of development, often in a love for the state; in the narrative outcome stage, and love generally have two kinds of Marriage and Seperation. Through this framework, this paper completes the plot of love narrative structural analysis, and try to study the role played by ideology in every stage.The second major part analyses narrative rules of the love plot, the narrators uphold the ideology of writing these love stories, formed a relatively fixed narrative rules, through the rules, ideology intervents and controls the whole narrative process of the love story. To a certain extent, these rules are undermined the authenticity of the historical love story, but these are not totally positive, these make the ideology of love narrative story into intervention and control the development of people convinced that the linear order so that the story has a real-life masks. Moreover, through these narrative rules, the love plot is tenaciously hold in the text of"17 Years"Novels on the Revolution, it should be said that, with these circumstances love narrative rules are formed the complex relationship between rejection and dependence and make use of each other. Love plots are depressed and deformated by these rules, but also get a legitimacy chance of the expression. These rules include the following three aspects: the delied love narrative; the borrowed fate of love; the replaced expression of love.Love as one of the eternal literature theme, has never become a main performance targets in the"17 Years"Novels on the Revolution, it has been subordinate to the grand themes such as the revolution, the class struggle, Agricultural Cooperation, it is actually exist using the identity of servant girl. From the text, this paper explores The state and narrative strategy of love in the strong words such as revolution, class, the Agricultural Cooperation, and reveals truth of the love in the"17 Years"literature.