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From Traditional Ballads To Revolutionary Ballads

Posted on:2021-02-11Degree:MasterType:Thesis
Country:ChinaCandidate:R Z DingFull Text:PDF
GTID:2515306041459434Subject:Chinese Modern and Contemporary Literature
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As the bottom cultural form in folk literature,ballads have played an important role in both the literary stage and the revolutionary historical field.The new culture movement and the arrival of the May th movement made new poetry take the forefront of breaking the shackles of the feudal traditional culture and develop poetic skills and poetic rules based on western literature and art.Therefore,the author of the new poem turns his attention to the folk ballad,a unique form of traditional culture.The author of the ballad is the folk public,and the emotion expressed is the most genuine and enthusiastic.The ballad is rich in forms,and the words embody "the philosophy and humor of folk life".The new poetry regards it as the inward development resource of the poetry,develops toward the nationality gradually,the modernization direction.Ballads have also entered the modernization transformation of Chinese literature by virtue of their unique cultural representation.The revolution and the changes of The Times have endowed the ballads with more functional identities,which have not only become the key for poets and other intellectuals to open the "popularization and nationalization of poetry",but also become the key for the transformation of intellectuals' identities.As a kind of "low-level and marginal literature form' ballads have witnessed the adjustment of social structure and emotional structure of intellectuals in the process of times transformation.From this perspective,we should pay more attention to the role of ballads in the field of literature and the way to change the law of literature when evaluating the historical role of ballads.This will help us to understand the social and literary value of ballads.In the field of revolutionary history,the communist party of China(CPC)has conducted literary and artistic dissemination of marxist theoretical knowledge after acquiring the right of discourse in the base areas.The media is a revolutionary ballad composed of "revolutionary discourse+folk culture" adapted under the guidance of marxist literary theory and left-wing alliance.Therefore,a good interactive chain has been formed in which the communist party of China is the transmitter,the ballads are the carrier,the main theoretical knowledge of Marx is the communication content,and the peasant class is the recipient.Through the codes of society,politics and culture,the revolutionary ballads not only derive richer and more three-dimensional roles and functions of The Times,but also embody unique folk aesthetic characteristics and values.From this point of view,it is of great significance to study the era value and historical role of revolutionary ballads in this paper.This paper is divided into three parts.The first chapter mainly discusses the concept,classification,theme,development history of traditional and revolutionary ballads and the arrangement and research of researchers over the years.These contents are the basis of this paper.Chapter basis points by revolutionary history field,the workers and peasants revolutionary ideas spread and the relationship between the revolutionary songs as a clue,interpretation of the communist party of China in the spread of revolutionary base power attribute and revolutionary mobilization model is how to develop and,revolutionary songs as the medium of the popularization of marxism literature and art derived new function and new roles and what new history and folk characteristics.The third chapter takes the field of new poetry as the basic point,and discusses how in the development of new poetry,ballads,as a form of low-level and marginal literature,are valued by intellectuals for their "academic and artistic" functions,and how they have undergone identity transformation,becoming the key for poets and intellectuals to enter the folk.These are the main points of this chapter.The conclusion,based on two different historical fields to look at the folk ballad era value and folk characteristics,to explore the relationship between the folk ballad and the revolution of workers and peasants,and the new poetry,is the focus and difficulty of this paper.
Keywords/Search Tags:revolutionary songs, folk songs, workers and peasants revolution, new poetry
PDF Full Text Request
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