Research On The Creation Of Operas From The Perspective Of Wang Jide's Opera Theory

As a famous qu scholar in the Ming dynasty,wang jide gained a high position in the history of ancient Chinese opera theory with his work qu lv.At the same time,he was also a practical playwright who wrote many operas in his early years.In addition to the legend Red Leaf poem and drama The male queen,the rest of works have been lost.This paper intends to observe wang jide's opera creation from the perspective of his opera theory.Research mainly from the following four aspects: the first chapter focuses on the subject matter and artistic conception of wang jide's plays problems,discuss the relation focuses on the artistic conception of the actual situation,this chapter in differentiate out of your reality,use of imaginary,on the basis of combining wang jide plays,concrete analysis the wang in material selection and the characteristics of artistic conception.The second chapter is about the research on the ideological characteristics of wang jide's plays.Wang jide's plays contain the thought of love,which can be seen from the love between the hero and heroine,the parent-child love between parents and children,and the pursuit of fame and official status in his play.In addition,wang's plays also contain the idea of weathering,which can be seen from the thought of marriage and destiny in his Red Leaf poem.The thought of love and enlightenment in wang's plays is consistent with the theory of love and enlightenment in his operatic function theory.The third chapter mainly analyzes the characterization of wang jide's opera characters from the perspective of his drama characters.In his plays,wang created typical characters such as maidens,emperors and concubines,most of which were vivid.The attempt to shape characters in the plays also laid a solid foundation for the formation of wang jide's drama characters theory,and had a direct impact on the thoughts of meng chengshun in the late Ming dynasty and Liyu in the early qing dynasty.The fourth chapter is about the study of thelanguage of wang jide's plays.Wang jide advocates the style of songs and lyrics that are praised by both the refined and the vulgar.However,in his early play Red Leaf poem,the language is too elegant.This is closely related to the prevailing style of the music circle and wang jide's aesthetic preference.