The Overlap And Penetration Of Space

The thesis is divided into four parts for discussion.The first part is to sort out the historical stages of the development of transparency theory and analyze the ideas proposed by the theory;the second part analyzes the expression of transparency in painting and architecture,and summarizes the expression methods and characteristics of transparency in plane and space through the comparison of works;the third part combines transparency with modern art creation,and focuses on how some related artists use it in practice.The third part combines transparency with modern art creation,focusing on how some artists use transparent materials and construct different transparent spatial relationships.Transparency adds to the possibilities of material and spatial expression in modern art creation,both as a penetrating visual effect and as a way of organizing spatial order,influencing people’s perception of the boundaries and depth of space,and giving space a multiplicity of interpretations.The fourth part explains the revelation of transparency to the author’s personal art creation,combining the use of transparent materials in his personal creation and his practice of transparent spatial relationships.Today,as artists choose to create art in multiple media,transparency is bound to continue to develop in subsequent artistic practices,adding new possibilities for people to interpret and explore the multiplicity of spatial organization.