On The Aesthetic Image Of The Zhexi Ci School

The Zhexi Ci School is the one with the longest duration,the most poets and the greatest influence in the Qing Dynasty.The Western Zhejiang Ci School follows Jiang Zhang’s ci style in the Southern Song Dynasty,and advocates the biological concepts of "empty" and "gentle",and their ci poems have unique aesthetic connotations.At present,the research on Zhexi Ci School in academic circles mainly focuses on the early and middle stages of development,and lacks the research on the later stage of development.The study of aesthetic image of the school,especially the research of the overall image characteristics,so this thesis is devoted to showing the overall image characteristics of the Zhexi school.Due to the large number of poets in western Zhejiang,spanning a long period of time,there are differences in their creative styles.This article takes into account the similarities and differences in the images of poets in western Zhejiang.This thesis mainly selects the representative poems of western Zhejiang poets for research,to show the overall style of the western Zhejiang poetry school to the greatest extent,such as Zhu Yizun,Li Liangnian,Li Fu,Feng Dengfu,Li E,Wang Chang,etc.,to explore the spiritual connotation and aesthetic value of the Zhexi Ci School from the images chosen by the poets in western Zhejiang.This article starts with the aesthetic image of Zhexi Ci School,and constructs the thesis into three chapters:The introduction part defines the concept of "Zhexi Ci School" in this thesis,discusses the research background and significance of the aesthetic image theory of Zhejiang Western School Ci,the research innovation and research methods of this thesis.The first chapter studies the formation,development and image selection of Zhexi Ci School.The first is to discuss the formation of the Zhexi Ci School from the social and political environment at that time,the mentality of the literati,and the regional culture of Zhexi.The second is a brief introduction to the main composition and development of the Zhexi Ci School.The third is to sort out and classify the high-frequency images adopted by the main poets in the Zhexi Ci School.The second chapter explores the spiritual connotation of the imagery of western Zhejiang poetry.From the choice of images,we can see the complex spiritual world of western Zhejiang poets,their thoughts when they are worried about the country,their depressed and lonely psychology,their reclusive attitude,and their discordant behavior.The third chapter discusses the aesthetic characteristics of the imagery of Zhexi Ci from the whole.The aesthetic image of Zhexi Ci has a cool image color,a sparse and empty aesthetic proposition,and a unique combination of images.In general,the research on the Zhexi Ci School has achieved certain achievements,but it is still very empty in the field of aesthetic imagery.This thesis is devoted to the study of the overall image characteristics of Zhexi Poetry,and further explores the spiritual connotation and aesthetic characteristics of the images of Zhexi Poetry through the image selection of Zhexi Poetry School.