Animated characters are the basis of animation stories and the guiding lights of the entire animation plot.The role setting is reflected in the external shape of the role,Character setting includes character design and character positioning.If the character setting is stable in animated films,the entire animation creation will have a good start.In the era of new media and networks,with the decline of the traditional way of reading books on paper,animation,film and television works and games have gradually become a new way for young people to understand and understand traditional culture.One of the traditional cultures,the monster culture,was nurtured through long years The unique culture that came out has experienced the changes of Chinese civilization and history,and bears the imprint of different eras.Their works recreated in the combination of modern times and animated films have a huge cognitive impact on today’s youth.The research object of this topic is to enrich the monster culture in "Shan Hai Jing".While tracing the origin and sorting out the monster culture,it also discusses the use and re-creation of the monster culture in the character setting of animation films.Sexual role-setting model.By studying the combination of animated films and traditional monster culture,a set of feasible monster character setting strategies is concluded,which provides excellent experience for animation film character setting,and at the same time,enables the traditional Chinese monster culture to be carried forward in the re-creation.The research content of this thesis is mainly divided into six parts: the first part mainly introduces the research background,significance and purpose of this subject,summarizes the current situation and theoretical research results of domestic and foreign films,and introduces the research method and framework of this subject;the second part introduces The two concepts of monster culture and character setting in the ancient book "Shan Hai Jing" are arranged in detail from the definition and origin of monster culture,as well as the connotation and extension of development and character setting,and provide theoretical support for the following;the third part It mainly introduces the development and historical status of Chinese animation films and the importance of character setting in animation films,summarizes the general rule basis for character setting in animation films,and summarizes the universal character setting model based on this;the fourth part It mainly analyzes domestic and foreign animation movie character cases related to monster culture,substitutes it into the model to reverse the feasibility of the model,and summarizes the misunderstanding of monster character setting in domestic animation movies at present;the fifth part is mainly user research At this stage,prepare for the setting strategy later,and then combine the misunderstandings of monster character setting summarized in the fourth part to summarize and summarize the monster character setting strategy combining monster cultural elements and animation movies.the sixth part is the final summary and Prospect of the direction of animated film monster character setting. |