Research On The Planar Language Expression And Creation Of Contemporary Meticulous Figure Painting

Due to the difference in painting materials and concepts,contemporary brushwork figure paintings do not deliberately pursue the objective presentation of objects in the creation process,nor do they simply emphasize the language and form of painting itself,but focus more on the depiction of the inner world and the expression of artistic ideas,while returning to the essence of painting through the language of flatness.The flatness of contemporary brushwork figure painting is reflected in the compression and division of flat space,the simplification and generalization of modeling to make the flat image stronger,and the release of the expressive power of color.The language of flatness provides a richer form of expression for the artistic creation of contemporary brushwork figure painting,which allows artists to express their inner emotions more freely in their creation.Today,as art forms continue to evolve,the artistic creation of contemporary brushwork figure painting has achieved a breakthrough in the aesthetic direction of flat expression,so it is of great importance to study the expression and creation of flat language.Starting from the direction of contemporary brushwork figure painting and combining with the work "Ben-Truth",we will outline the use of planar language in brushwork figure painting as the starting point,sort out the development of traditional and contemporary planar language in brushwork figure painting,analyze the aesthetic trend of planarity in contemporary brushwork figure painting,as well as the borrowing and integration of planar expression of Western painting,and lead to the exploration of the planar expression of brushwork figure painting.The study of flatness in figure painting Through the analysis of contemporary works of figure painting with the characteristics of plane language,he discusses the expression of plane language in composition,shape and color in the creation of figure painting.On the basis of his own creative practice,he systematically discusses the selection of themes,the source of emotion,and the artistic conception of the picture,interprets the aesthetic meaning of the plane language in the picture,and discusses the influence of the plane language on his artistic conception of creation.