In recent years,texture has become an important element in the creation of meticulous figure painting figure painting,as well as a front-runner and pioneer in the development of contemporary meticulous figure painting painting.As a new section of art that emerged during the development of brush painting,the contemporary nature of myriad paintings includes both the borrowing of Western art achievements and the docking with the current Chinese social and cultural context.People perceive the human world through their senses,and art then expresses reality through objects in the sensory world.This dissertation is a study of the representation of the texture of costumes in the new meticulous figure painting.It summarizes the relationship between new materials,new techniques and texture in the new meticulous figure painting,and explores the role of the texture of costumes in the composition of the picture.The author believes that texture is a way for the artist to convey to the viewer the unique interest of the new meticulous figure painting,and that it can strengthen the sense of form in a fast-paced society.The drawing of figure painting costume texture not only enriches the effect of the whole picture,but also presents the individual stylistic language of the artist.The logic of the text begins with an examination of the textural forms of costume in new meticulous figure painting,and then proceeds to sort out the new forms that have emerged in the creation of new meticulous figure painting.The second chapter is an exploration of the technique of costume texture.The drawing of costume texture in new brushwork often requires the use of new materials that can satisfy artists’ desire to create and experiment,as Zhao Weihua once said,"Throughout the history of the development of painting in the world,we will be overwhelmed by the close relationship between materials,media and art language." Media and techniques are always updated along with the development,and the rational use of materials,media and artistic language is more capable of achieving a complete harmony of the picture.Chapters 3 and 4 are the core of the article,through the study of the use of new meticulous figure painting techniques,the conceptions hidden behind the expression of texture,as well as the influences and connotations that the artist wants to express in the creative process are explored.Since clothing can be given different production effects according to different materials in the picture,and can reflect many texture treatments in a more concentrated manner,the author takes the perspective of clothing texture as an entry point to explore the value of the use of new materials and the production of texture expression in the language of new meticulous figure painting forms.In the fourth chapter,the author combines the creation and practice of figure painting during his study period,and explains his personal experience in the use of new meticulous figure painting texture techniques,and analyzes his experience and perceptions. |